This workshop is the culmination of creativity combined with photography. It is the art of exploring the environment or subject to express its true nature from the perspective of the photographer.
It is offered through the amazing art school Ghost Ranch in New Mexico. It is the former home of Georgia O’Keefe.
Here is the synopsis of the workshop. . .
Ready to take the next step in your photography? Learn to “see” the world around you through the camera’s eye, and create amazing photographic images. Simply put, photography is light. It’s important to see it and learn to control it through camera settings. In the digital age, photography is more dynamic in what can be captured in a picture. Our cameras are able to capture both low light and high light situations. To create a photograph, this is combined with our knowledge of our camera’s settings. Exposure and composition combine together to make the photograph a true representation of the photographer’s vision through management of light, color, and highlight/shadow. This class includes the formulas and techniques to create dynamic photographs, and the importance of equipment choices. Different lens focal lengths change the depth of field recorded by the camera. This is an important piece of creating a story-telling photographic image. Discussions include in-camera techniques and digital darkroom adjustments. The digital darkroom is basically the photo lab of the film days of photography. We will learn basic techniques, along with the best software and best hardware choices. This is where the photographer adjusts the photograph to match his/her visual representation of the scene/subject. It is as important as in-camera techniques to create the picture. Class includes time to practice these new concepts and techniques through practice and assignments. Questions are encouraged both in-class, and during practice times. Each class includes time for review / critique of students work. The feedback helps clarify the concepts of the class, and encourages creativity.
We will cover:
*Seeing Examples of concepts through visual presentation
*Learning how to “see” and “seeing” techniques
*Creativity is encouraged *Exposure & composition (basic to advanced depending on level of student)
*Equipment & how to select which pieces to use
*Learn visual story-telling and finding inner vision
*Planning and accomplishing the photographic concepts
*Color or Black & White? What works best with the photograph’s concept
*Experimenting with visual concepts
*Connecting with the subject or place
*In-camera techniques for better photographs
*Digital Darkroom techniques
Link for the class is on the Workshops page. . .
My latest class is Photography In Motion. Here is a sample of the type of photographs we will learn to take.
The colors in Autumn are either amazing or subtle in the Pacific Northwest. After a long hot summer, the weather is turning to rain, cooler temperatures, and the days seem darker. The reds, yellows, and golds are beginning to peek through, and shine on these shortening days.
There are 2 different weather conditions I prefer to shoot fall color in. . .sunny (or partly cloudy) and over-cast. These offer 2 distinct opportunities to record the amazing color of the trees and flowers at this time of the year.
The sunny sky offers bright, vibrant leaf color, and a blue sky to place in the background. It is usually warmer, and more pleasant to be outside photographing nature. I use a polarizing filter to bring out the best color, and minimize the “hot” spots in the photo.
On the other hand, over-cast days offer even light and less contrast. The colors are often muted. The clouds at like a giant diffuser of the sun’s light, and offers a “softer” light on everything. I may or may not use a polarizing filter under these conditions. I do like the way it removes the “white” reflection of the clouds on the colors making them richer in color saturation.
Then, there is the rainy weather. I’ll save that one for another entry. . .
Happy Shooting. . .Karen
Black and white photography relies on the tonal quality of the colors in the scene. The way the photographer “sees” the image changes. Without the reliance on color, the photograph relies on whites, blacks, and gray tones.
The human eye sees about 16 million colors. To create a successful black and white photograph, those colors need to be translated into their tonal quality. This is dependent on camera settings, and post production processes.
Traditional black and white was done with black and white film. The process of exposure and film choice dictated the end photograph. Modern digital cameras work differently. The camera’s photo sensor sees light and filters colors. Black and white settings on the camera can produce beautiful photographs, though it will depend on the camera’s programming.
The contrast between light and dark, along with the mid-tones, create the black and white image. The settings for black and white are in picture style, filters, or color (tone) menus of the digital camera. In many cameras, the photographer can set the contrast, brightness, and other settings for the photograph.
The second way to create successful black and white photographs is in the post processing phase of modern photography. There are many different types of photo processing software and photo filters available. The photos in this blog were done in Adobe Photoshop.
Visualize ~ Create ~ Evoke
To learn more, I’ll be teaching Black & White photography on the amazing Oregon coast this June 2018. The Oregon Coast in Black & White, June 18th & 19th, 2018 at the Sitka Center for Arts & Ecology. For more information, click here.
Patterns in a composition can take many forms. It adds an interest depth in the photograph, or an element of chaos. Patterns are the repetition of shapes or similar shapes. It works in macro, landscape, and most other types of photographs.
Patterns are naturally occurring in nature, or created by man. Either way, intentional use of patterns creates a greater depth in the photograph. In the image above, the main patterns are created by the clouds in the sky, and the patchy snow on the meadow.
Patterns take many forms. It is simply the repetition of a shape, color, or color. The above photograph is a common murre colony. The pattern comes from the multitude of birds with their consistent black and white coloring.
Sometime, the goal is to fill the frame with something that creates an interesting scene, and it also includes a pattern. It this case, the common murre offer the visual of a nesting colony and the pattern of their shape / coloring.
Then, there is the multitude of flower. This pattern of pink is broken up by the strong lines of the tree branches. The subject matter is endless. . .
Visualize ~ Create ~ Evoke