Every photograph is built from the elements the photographer sees through their lens.  On the surface, it is a subject like the ocean, bird or person.  Beyond the obvious, our photographs consist of lines, patterns, shapes, color, textures and more.  What goes into our compositions is what we see, and how we arrange it in our viewing space.

The photograph below is of the incoming tide along the Oregon coast.  The ocean is lit by bright sunlight, and the waves are crashing over the rocks.  Other people like this photograph, because of the subject.  What I see in this photo is its subject.  Then, I see the lines, texture and color of the image.  The waves create diagonal lines.  Splashing water and the rocks create texture.  The colors of the water are vibrant greens and blues, due to the sunlight.

Many of these concepts are the basics learned in an art class.  A photograph, like a painting, is made up from the same principles.  With the painting, the artist has the choice of brushes, paints, color and artistic license of subject placement.  The photographer is working with different tools.  Being based on light, a photograph at different times of the day or different weather, will affect the photograph.  Our brushes are exposure, lens choice and camera choice.  Our color is dependent on the amount or quality of light.  Subject placement is limited only by our ability to move or observe a subject.

In the photograph below, both the rocky shoreline and the wave make powerful lines.  Between the two, they meet creating an arrow pointing to the left and out of the frame.  The perspective is from the cliff top.  A lower perspective would have changed the relationship between the wave and rocks.  It’s up to the photographer to decide how to place the elements in the frame.

With landscapes, many of the elements are stationary.  Waves do have a short life-span, but they will repeat themselves.  Birds perch, swim or fly.  They may not repeat an action.  A bald eagle will catch a salmon out of the ocean.  If the photographer misses the shot, he/she may not get another chance to take the photo.  Living beings add some unpredictability to any photographic scenario.

The photograph below is of Stellar Sea Lions.  At the moment of the photograph, they were sleeping on the shoreline.  This can make a static photo, since they are not doing anything.  In this case, I used the environment to bring in interesting elements into the composition.  The sea lions are on the left side of the photo, yet a small whirlpool sits on the right side.  These three elements make a triangle for the viewer to look at.  The texture and color of the water complete the composition.

More later, and happy shooting. . .Karen