2020 holiday Special

As the year 2020 is coming to an end, it is a great time to learn a new skill or improve an old hobby/passion. I decided that I would offer a special price for an hour of instruction, including answering questions. The topic of instruction will be discussed with the student prior to the session, and will focus on the student’s needs. These sessions will be scheduled between me and the student, and will take place via a ZOOM session. This would make a great Holiday gift for the camera enthusiast, or a child/adult wanting to learn photography. I look forward to working with you in the New Year.

Photographers

One Hour Learning Session

This hour long ZOOM session is designed to help learn a new camera, expand existing knowledge, and/or learn new photography skills. Skills taught could range from camera operation, understanding exposure, composition, the digital darkroom, storing and accessing picture files, and/or subjects/locations to shoot. The subjects taught will be tailored to the student prior to the session. These sessions are great for children or adults. I have taught both age groups in-person and via ZOOM classes. Each session will be scheduled to the availability of the student and instructor. Parents are welcome to be part of a child’s session.

$35.00

Not Your Grandma’s Black & White

For more information or registration, click here.

Bird Photography Interview

Karen
Create ~ Visualize ~ Evoke

Architecture & Gardens. . .

copyright Karen Ulvestad

Architecture lends itself to both color and black & white photographic images. Often times, it becomes a composition of lines, shapes, and color / tone. The photograph above shows a modern building with the reflection of historic architecture. The old and the new sit across the street from each other.

This is the story of downtown Oakland. It is a city rich in contrasts and opposites.

copyright Karen Ulvestad

The historic Tribune building rises above other period buildings. In this incident, it is framed by a modern sculpture. The primary colors of red, yellow, and blue work together to make the brown & cream colored building stand out in the image.

copyright Karen Ulvestad

Another way to frame a building or architectural element is with living elements. In the photo above, I used blooming cherry trees to frame the Gothic architecture of the University of Washington. In this case, the cloudless blue sky is the perfect background for the pink flowers and brick buildings.

It is great to contrast man-made structures against or with nature.

Happy Shooting. . .Karen

“Architecture & Gardens Through the Viewfinder” ULearn (Edmonds CC), Apr 27 – May 18, 2017 (Thursday nights)

Story Telling in Black & White

051410-klu-2780e

The photo above is one of my favorite story-telling black & white images. This was taken at the zoo, and I loved the wise look on the gorilla. The bonus was the child looking through the glass.

A successful story-telling image gives the viewer an engaging subject with just enough details. Black & white photography cuts out the color, and brings the image to a basic tonal quality. Without the color, the photo relies on the relationship between the elements of the image.

040315-klu-u8a0634bwe

Architecture lends itself to black & white well. In the photo above, the lines, texture, and contrast create a timeless image of a historic house along the Oregon coast. The cloudy sky contributes to the image by fading into the background. The details of the house bring the viewer’s attention to the building.

The linear aspects of architecture, whether historic homes or sky-scrapers, becomes the driving force in the composition. It is more delineated in black & white.

So, what is the story to tell, and should it be color or black & white? Photographer’s choice. . .

Happy Shooting. . .Karen

“Not Your Grandma’s Black & White” ULearn (Edmonds CC), Feb 9 – Mar 2, 2017 (Thursday nights)

Learning Your Digital Camera can be Fun!

In the film world, photography was relatively simple for the photographer. We selected our film, shot our photos, developed the film (either ourselves or at a lab), edited the photos, and finished with a final product. We had a choice in film speed, and type of film. For creative affects, we had filters for our lenses, camera mounted flashes and other gadgets.

With digital photography, cameras are programmed with all this information. Film has become a media card (Compact Flash, SD, XD, etc.). Digital Photography is defined by processors and megapixels, instead film brand and speed. Instead of the photo lab developing our pictures, we have computer software (Photoshop, Lightroom, Elements, Picasso, Gimp and others). We can print our photos at home on our printers or send them to a photo lab.

So, where do we begin with our digital cameras?

copyright Karen Ulvestad
Kodak Slide Film scanned to a Digital file.

For some, the transition from Film to Digital is easy. For others, it is a struggle, and can be confusing. I’ve worked with all ages (children, teens, adults & seniors) and levels (beginning & intermediate) photographers with understanding the functions of their Digital cameras. Each person has a different way to learn the complex menus and functions of modern cameras, and need individual attention to learning the information.

The photo above was taken in 1997 with Kodak slide film and scanned to a digital file. It was taken at Arches National Park, and all the elements came together for a wonderful photograph. The photo below was taken in 2005 with a Canon 10D digital camera. It was taken at Arches National Park too. Both of these images were shot in Manual mode.

From the Digital Camera to the Digital Darkroom Intensive is a one day (6 hour) hands-on venture into camera operations and workflow for digital photography. I offer this class once a year at the Pacific Northwest Art School on Whidbey Island. Here is a link to their website and the class.

Join my workshop for a fun-filled day of learning Digital Photography and the Digital Darkroom. The last photo is John Day Fossil Beds, and was taken in 2012 with a Canon 5D Mark II.

Happy Shooting. . .Karen

copyright Karen Ulvestad
Canon 10D (6.3 megapixels)

copyright Karen Ulvestad
Canon 5D Mark II (21.3 megapixels)