As a photographer, specific places call to my spirit to visit. Iceland calls. It calls to the very core of my being. It’s all about the birds.
I’ve been watching the birds here on the Pacific Ocean shores, and it’s interesting to see their successes and slow disappearance. Iceland isn’t different. The largest colony of Atlantic Puffins have not had a successful breeding season in the past 5 years (from my online research). I want to see 500,000 birds before they disappear. I want to feel dwarfed by the amazing landscape, powerful sea, and the incredible bird colonies.
The water temperatures are changing, which is changing the food supply. This is a personal project for me. Those without voices look to those of us with words and photographs to speak for them.
I want to invite other photographers to join me in the isolated and breathe-taking landscape. I’m putting together lodging and guided trips to isolated areas. I’m hoping to connect with a biologist or two, and to experience the culture of Iceland.
Let me know if you’re in for the adventure. I’m going the end of May 2016.
The Spirit of Place is one of my ideas or personal concepts about photography. At its core is the idea that photographs are created by the photographer through use of light, exposure, and composition. It is our personal view-point or way we translate the scene in a visual way.
This photo uses shadow and light, lines, and people to create the composition of the place. In this image, the viewer sees the blowing sand (top of dune), the rocky wall in the foreground, and the people making their way up the sand dune. It speaks of man and nature co-existing in the late afternoon light.
Nature is one constant in our lives that is ever-changing, yet remains the same. The challenge for the photographer is to take existing elements, and create a pleasing photographic image. Photography is a tool to document the world around us, yet our personal view-point is always present in our images.
The blowing sand in this photograph creates designs on the sand that mimic the wet sand reflecting the blue sky and the ocean waves. In this image, one could see the hillsides in the background as repeating the wavy shape created by the sand and ocean. The scene is completed by all the people enjoying the beach, whether walking along the water or sitting in the sand. By including people, I have given a reference to the size of the landscape.
Another way to look at this scene is to eliminate or hide the man-made or man’s influence upon the scene. By moving the point-of-view, this image the viewer sees the ocean waves and four gulls. Yes, there is some indications of civilization, but they are not the main components of the composition.
Now to end this entry, I’ve added a little different concept. This image is titled Windy. It leaves the question, how do we as photographers show wind or other elements in our images? What is that special ingredient that we have included to make our photograph stand-out from the millions of images on the internet?
Stay tuned for more. . .or simply join me for my Spirit of Place workshop on the Oregon coast in June.
I seldom get the opportunity to stay in the city, and photograph all the different types of light. Composing in the city is similar to Landscape photography, but the lines are more linear and defined. I find that it give me a different perspective to take back to the natural world I love to document.
The shot above is an example of “outside” the box composing. This long exposure was taken through the hotel window at F22. The yellow cast to the image is the temperature of the street lights. The “spotting” effect is the dirt on the outside of the window. All this together creates a “grunge” feeling for the photo.
Photographing the city at night, illustrates the different temperatures of light. The colors that look “true” are most likely daylight balanced fluorescent or LED. The yellow is tungsten or incandescent. The green cast is most likely regular fluorescent.
Daylight brings another look to the buildings. I love the reflections in the modern glass buildings, mixed with the historical brick buildings. The strong use of diagonal line in the above photo guides the viewer’s eye through the picture. Diagonal lines add a feeling of motion to a static image. The reflection in the glass is the buildings across the street light by direct sunlight. I used a polarizing filter to enhance the blues, and was careful not to eliminate the reflection in the glass.
Cities are filled with contradicting images and ideas. The above image is bullet damage to a 1/2 inch glass window. I like the story it tells of prosperity (see inside the building) and the reflection of the historical buildings across the street. This building was a corporate headquarters, and is was situated in an area of diverse stories of prosperity and decline. The lines in this image are the arrangement of the bullet damage which are taped, and the diagonal lines of the buildings in the reflection.
The image below is a combination of a sculpture and the Tribune tower. I intentionally framed the tower with the brightly colored sculpture, and used a large depth of field to bring out sharpness in the foreground, mid-ground, and background.
Light is everything when it comes to photography. These three photographs were taken on the same evening. To the east towards the coastal mountain range, the weather was thunder and lightning. Along the coast, the clouds created a dramatic sky for the coming sunset.
The top photo shows the warmth of the late day light in the yellow tone to the green grass on the sand dunes. The dramatic clouds were either dark grey or white, and contrasted against the brilliant blue sky.
The photograph below is a simple composition of the sky and clouds. One of the tools used for the blue sky is a polarizing filter. For digital cameras, the filter must be a circular polarizing filter.
The white balance on these images is daylight, or simply use the AUTO setting. Minor adjustments can be made in the Digital Darkroom on the computer.
The bottom photograph is the sun peeking through the dramatic clouds. The sun starred because of the large aperture setting on the camera. Each of these photos was shot on the manual setting for maximum control over the final image.
Remember, using manual settings for exposure give total control over the final photograph. I am available for private consultations, lessons, and individual/group instruction (both in person and online).
Leavenworth is a wonderful day or weekend adventure for all ages. The town schedules year-round festivals, and is located in the scenic eastern foothills of the Cascade Mountains. Highway 2 travels through the town, and is the easiest way to reach this beautiful destination.
On the way to Leavenworth, Stevens Pass is a beautiful area for photography. On the west side, there is Deception Falls, and it is well worth the stop. The trails lead to the falls (which can be seen on the south side of the highway), and along the river. Stevens Pass ski resort is at the top of the pass, and is a wonderful alpine area in the summer months. On the east side of the pass, Lake Wenatchee is about 5 +/- miles to the north, and the view looks into the Cascade Mountains. Highway 2 traverses through Tumwater Canyon, which has several pull-outs for safe observation of the scenery and wildlife.
Tumwater Canyon
In the opposite direction, the Olympic Peninsula offers incredible opportunities of photography. This area is home to a large temperate rainforest, Olympic National Park, beautiful waterfalls, Lake Crescent, and the Pacific Ocean. There are many hiking trails through-out the area, including the North-South trail through the heart of the Olympic National Park. Highway 101 travels through the area, and signs show the directions to the scenic areas.
Olympic National Park
Lake Crescent sits just west of Port Angeles, and has both a campground and cabins/lodge on its shores. It is part of the Olympic National Park, and the highway follows the shoreline of the lake. It’s nestled between tall foothills, and surrounded by forest. There are many pull-outs along the lake to view the area, or hike a trail. The light is incredible during the early or late hours of the day, and it is not uncommon to have overcast/foggy conditions in the area.
Further on, Highway 101 travels through the town of Forks, and onto the Pacific Ocean Beaches. There are several beach back-packing trails in this area, and Third Beach is one of the longest. It is a great way to see parts of the coastline that most people don’t see. There is a lot of wildlife in the area, and incredible landscape photography opportunities.
The San Juan Islands sit in the rain shadow of the Olympic Mountains and receive less rain than Seattle 65 miles to the south. Explore 172 islands, which up the archipelago highlighted by Fidelgo, San Juan, Orcas, Shaw and Lopez. The islands are home to the largest concentration of bald eagles in the lower 48 states, three pods of orca and harbor seals. Explore the tallest peak, Mount Constitution on Orcas Island, or ride the ferry. This is a great time of year to explore and photograph the incredible scenery and abundant wildlife. For the rest of the article, visit http://seattle.cbslocal.com/top-lists/getaway-guide-one-tank-trip-to-san-juan-islands/.
Nestled between the Cascade Mountains to the east and Puget Sound on the west, the Seattle area is filled with opportunities for day trips under $100. Three National Parks are within a two to three hour drive from downtown, the Cascade Mountains offer incredible hiking opportunities, Lake Washington and Puget Sound have numerous beaches, and the city offers many parks for exploration. A ferry ride takes the visitor to islands within Puget Sound or the Olympic Peninsula. The area is dotted with wineries, parks, and museums. Whether watching a sunrise or sunset, locals and visitors can enjoy the culture and beauty of the Emerald City.
Bird migrations happen twice per year. In the spring, the birds are heading to their nesting grounds. Many of these areas are in the Arctic or inland from the coast. Along the shoreline, these birds are feasting on the spring bounty of food, to make the long flight to their nesting grounds. These birds can travel several thousand miles each spring and fall. For the full article, visit http://www.examiner.com/article/where-to-find-migratory-birds?cid=db_articles
Spring is a wonderful season to adventure out to the coast for a day, weekend or longer. The change from winter to spring is highlighted by spring storms and warmer sunny days. The migratory birds are passing through to their nesting destinations, which include species of sandpipers, seabirds and others.
This bald eagle is flying in after missing a fish in the ocean. This is at Neskowin.
“It was perfect for all levels. It was a great combination of technique and artistry.” Susan H.
We will have minus tides during this workshop, which will allow students to view and photograph tide pools, walk closer to bird nesting areas and marine mammal resting areas. It’s a great opportunity to learn the details of bird and marine mammal photography, and shoot at beautiful locations. The coastal waters are filled with harbor seals, gray whales, and sea birds during the late spring season.
These are nesting cormorants on the Oregon coast. These can be viewed at low tides, in the nesting season.
The workshop starts in the classroom, with an interactive presentation about exposure, techniques and equipment. Then, students go out into the field and practice what was learned in the classroom, ask questions and learn how to spot wildlife. Composition is discussed through-out the workshop, both in the classroom and in the field. The workshop is about 30% in the classroom and 70% shooting in the field with instruction.
This California sea lion was resting on the rocks.
This last photograph is the students photographing harbor seals in the surf. Most of the subjects can be photographed with a 400mm lens or shorter. It is recommended that students bring a tripod. For more information or to sign-up, visit Sitka Center.
Last year’s workshop students are photographing harbor seals playing in the surf.
