Tag: photography workshop

Changing Times. . .

by karenulvestad, posted in Bird Festivals, Tips

It’s amazing how quickly our world changes! I hope this post finds all my followers in good health. As we navigate this new world filled with a dangerous pandemic (virus) and travel restrictions, I think it becomes more important to find ourselves behind our cameras documenting the world.

The act of being creative puts perspective to the unseen and sometimes frightening aspects of our lives. I sit here at home contemplating opportunities that have been canceled in the past few weeks and in the upcoming future. There is a lot to fear, yet it is an opportunity for a new future and growth in vision.

I believe that this is an opportunity to hang out at home, work previous images, and plan / execute new subject matter / ideas. It’s like we have been asked to take a step back from our normally busy world, and breathe. I look forward to the photographic images that emerge through this time of transition and change.

The photo above was taken last year on my way to the Othello Sandhill Crane Festival. I spoke on bird photography. It was an amazing trip and opportunity to meet fellow photographers. This year, the festival was canceled due to the pandemic. I was going to lead a photography tour highlighting the migratory Sandhill Cranes. Maybe, I’ll get to do this next year. . .

I did venture to the Port Susan Snow Goose Festival. It was a quiet year for sighting birds at a close distance. This photo was taken last year (2019).  A year made an immense difference in flock sizes and attendees of the festival. It seems like there was a shadow hanging overhead in the background.

Many of the festivals and gatherings for photographers (and others) are canceled in the foreseeable future, so what are we to do?

First, I think it is important to continue shooting. It might sound difficult to achieve in this home-bound times, but it only requires a bit of creativity. Maybe, it’s time to learn a new photography skill. It could be choosing subjects at home that will improve skills. Everything we learn as photographers translates into better photographs. Now is a great time to try new things.

Second, I believe it helps to create assignments to complete. An example would be to shoot a photo a day, or select a word and try to accomplish it in a photograph.

Third, this is a great time for planning. I’ve been working on planning 6 to 12 months from now, making the plans flexible. I know that these plans help me with creating course content for my classes / workshops, designing new products to sell, and personal projects. Often times, these sessions reveal opportunities for books, articles, and blog entries.

One last thing. . .all of my classes will be taught online until further notice.

The Oregon Coast in Black & White

by karenulvestad, posted in Workshops

karenulvestad-sitka2017-2-faa

This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

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Visualize ~ Create ~ Evoke

Karen

Spirit of Place

by karenulvestad, posted in Instruction, Workshops

copyright Karen Ulvestad

I cannot teach this workshop often enough! This is the core of a successful photography. The idea is to “capture” the subject’s essence in the 2 dimensional image of a photograph. . .to “tell” a story about the subject.

With people, it is often a smile, tears, or other emotion / action within the photograph. This ideal can be brought to a landscape, wildlife image, or macro subject. Each photographer has their own unique view of the world, and the objective is to share this with the viewer.

Accomplishing this vision includes camera knowledge, composition, “seeing”, and weaving all this into the photographic image.

I love this workshop the most, because we explore all these aspects of photography in the classroom, and strive to combine them in the field. The focus is on techniques, vision, and composition.

I look forward to meeting all the individuals that join this journey to photographic perfection.

Happy Shooting. . .Karen

Painting With Light on the Oregon Coast

by karenulvestad, posted in Workshops

Thought I would share my latest venture. June is the time to teach on the Oregon coast at the Sitka Center for Arts & Ecology. Hope you enjoy & please share. . .Life is Good!

Happy shooting. . .Karen

The Spirit Of Place

by karenulvestad, posted in Tips, Workshops

The Spirit of Place is one of my ideas or personal concepts about photography. At its core is the idea that photographs are created by the photographer through use of light, exposure, and composition. It is our personal view-point or way we translate the scene in a visual way.

copyright Karen UlvestadThis photo uses shadow and light, lines, and people to create the composition of the place. In this image, the viewer sees the blowing sand (top of dune), the rocky wall in the foreground, and the people making their way up the sand dune. It speaks of man and nature co-existing in the late afternoon light.

Nature is one constant in our lives that is ever-changing, yet remains the same. The challenge for the photographer is to take existing elements, and create a pleasing photographic image. Photography is a tool to document the world around us, yet our personal view-point is always present in our images.

copyright Karen UlvestadThe blowing sand in this photograph creates designs on the sand that mimic the wet sand reflecting the blue sky and the ocean waves. In this image, one could see the hillsides in the background as repeating the wavy shape created by the sand and ocean. The scene is completed by all the people enjoying the beach, whether walking along the water or sitting in the sand. By including people, I have given a reference to the size of the landscape.

copyright Karen Ulvestad

Another way to look at this scene is to eliminate or hide the man-made or man’s influence upon the scene. By moving the point-of-view, this image the viewer sees the ocean waves and four gulls. Yes, there is some indications of civilization, but they are not the main components of the composition.

copyright Karen Ulvestad

Now to end this entry, I’ve added a little different concept. This image is titled Windy. It leaves the question, how do we as photographers show wind or other elements in our images? What is that special ingredient that we have included to make our photograph stand-out from the millions of images on the internet?

Stay tuned for more. . .or simply join me for my Spirit of Place workshop on the Oregon coast in June.

Happy shooting. . .Karen

Sitka Workshop Went Great

by karenulvestad, posted in Location, Workshops

“Excellent instructor – willing to help and make accommodations for all. . .” Student comment. . .

The Spirit of Place workshop I taught at the Sitka Center for Arts & Ecology went great! The students were a fantastic group of diverse individuals with a desire to learn more about photography. We ventured out on our second day to Cape Kawanda (Pacific City), and Neskowin. We practiced the workshop skills photographing the expansive landscape, dories, tide pools, gray whales, and birds. Below is an image of one of the students photographing the dories, as they came into the beach.

copyright Karen Ulvestad

Below is one of my photographs taken of the dories from the beach. The tide was out, and we were able to walk through the tide pool area near the cape. The dories require a fast shutter speed to capture the action with clarity. My students had the opportunity to shoot these experiences, while learning the finer points of exposure and composition. My workshops are balanced between learning in the classroom, practicing in the field, and exploring the possibilities of the photographic medium.

copyright Karen Ulvestad

While exploring the area after teaching the workshop all day, I came across this mule deer buck and a doe. The light was waning since it was later in the evening. The morning had started out with a bald eagle flying by, and the day ended with deer. Sitka is a fantastic place to take workshops with top-notch instructors, and they offer a variety of art classes through-out the summer months. I’ve been blessed to have been teaching workshops through this school for 3 years.

copyright Karen Ulvestad

Happy Shooting. . .Karen

copyright Karen Ulvestad

Sharing a Story in a Photographic Image

by karenulvestad, posted in Instruction, Workshops

Photographs come in many different styles, such as landscape, wildlife, people, and commercial. There are many more that are not listed here. What separates a photograph from others is the clarity of the story it tells. What does the photographer share with the audience that isn’t shared in other images.

The photograph below is a shot of Proposal Rock on the Oregon coast. This area is photographed often by locals and visitors. So the challenge becomes, how does a photographer make his/her photograph different from every other photograph of this beach and rock? In this case, the difference is a pair of shoes with bright colored laces.

copyright Karen Ulvestad

This second photograph utilizes people in a landscape photograph. The viewer first sees the child holding the lens, the railing behind the child, and finally the landscape in the background. This shot is from Waimea Canyon on the island of Kauaii (Hawaiian Islands). The depth of field in this shot give value to its elements. . .the child, the railing, and the canyon. The clouds in the sky add further texture to the image.

copyright Karen Ulvestad

It seems fitting to end with this photograph of a Bald Eagle at sunset. The sunset becomes the sun, color of the sky, and the silhouetted eagle. This is a single shot in the camera, which means it was thought through before the photograph was taken. Planning can help create a one-of-a-kind photographic image.

copyright Karen Ulvestad

 

This is an excerpt from my upcoming workshop The Spirit of Place at the Sitka Center for Arts and Ecology in June.

More next time. . .Happy Shooting. . .Karen

Selecting the Shot. . .

by karenulvestad, posted in Instruction, Location

Spring has sprung in parts of the world, and the flowers are coming forth. Often times, locations are crowded with people when the light is best for shooting. In the Puget Sound area, spring means cherry blossoms on the University of Washington campus, the Skagit Valley Tulip Festival, and Washington Park Arboretum. Every season has its crowds. . .so, how do you find the photograph?

copyright Karen Ulvestad

In the photo above, the throngs of people are obvious, and the garbage cans are over-flowing. The scene is quite noisy, and full of activity. Everyone is out because of the sunshine and the cherry blossoms. This is Sunday on the University of Washington campus (at the Quad). It is late afternoon light, which is warmer than mid-afternoon.

copyright Karen Ulvestad

One way to cut-out the crowds is to choose selective portions of the buildings and cherry blossoms. The image above shows the Gothic architecture against a vivid blue sky, and framed with the subtle pink cherry blossoms in front. The crowds are below the bottom of the frame, and the photo takes on a peaceful quality. It exudes quite afternoon on campus.

copyright Karen Ulvestad

Another way to exclude the crowds is to change perspective. This shot is looking straight-up under the cherry trees. The branches become a linear component of the composition with the repetitive pattern of the cherry blossoms. The only limit to the possibilities is one’s imagination. . .

Happy Shooting. . .Karen

September is the time for the Puget Sound Bird Fest

by karenulvestad, posted in Bird Festivals, Instruction, Location, Workshops

Western Sandpiper

Every September, the Puget Sound Bird Fest is held in Edmonds at the Frances Anderson Center, and surrounding area. This year, the festival is being held Friday, September 6 through Sunday, September 8. The festival is put on by the City of Edmonds. Each year, the festival is an opportunity to attend a workshop, participate in a guided birding tour, kayak to observe birds, meet professionals in the birding field, and learn about birding. For more information, visit the article at September is the time for the Puget Sound Bird Fest.

Note: I will be giving a Free lecture on Bird Photography.

Tips on Shooting Subjects at Night

by karenulvestad, posted in Tips, Workshops

Generally speaking, photography is the use of light to create an image. Night is without the sun, so light sources are created by humankind. The photographer uses these sources of light to create artist renditions of night scenes, fireworks, the moon, or portraits.

In the exposure equation, the photographer needs to manipulate either or all of the following: ISO, Aperture, or Shutter Speed. It is advisable to use a tripod.

The first image here is from a large fireworks display. I used a tripod, and a long exposure to capture the lines of light. The exposure was F11, 8 seconds at 125 ISO. The watercolor wash feeling of color is from the fireworks reflecting off the smoke.

TIP: Pick a spot to shoot from, pre-set the exposure, and use a tripod/shutter release.

copyright Karen Ulvestad

In this next photograph, the fireworks are used to create a portrait of the child. This is a sparkler, and it casts an incandescent light color on the subject. The green light in the background is fluorescent. This was shot with a Daylight White Balance. The exposure is F5.6, 4 seconds at 100 ISO. I used a tripod.

The color of the sparkler will show in the photograph. This was a gold (or yellow) sparkler. It’s good to dress the subject in medium-toned clothing, which will stand-out from the dark background and bright light of the sparkler.

TIP: Have the person hold as still as possible, while moving the sparkler.

copyright Karen Ulvestad

This last image is of the “Super” Moon last month. The exposure for this image is F16, 1/100 second at 400 ISO. The moon is very bright, due to the fact it reflects the sun’s light. To expose it and show the craters, the photograph must be under-exposed. This means to let in less light than the light-meter in the camera indicates as the correct exposure.

For more detailed information on exposure and camera operation, I will be teaching classes through the City of Edmonds this fall.

Happy Shooting. . .Karen

copyright Karen Ulvestad