Tag: classes

Changing Times. . .

by karenulvestad, posted in Bird Festivals, Tips

It’s amazing how quickly our world changes! I hope this post finds all my followers in good health. As we navigate this new world filled with a dangerous pandemic (virus) and travel restrictions, I think it becomes more important to find ourselves behind our cameras documenting the world.

The act of being creative puts perspective to the unseen and sometimes frightening aspects of our lives. I sit here at home contemplating opportunities that have been canceled in the past few weeks and in the upcoming future. There is a lot to fear, yet it is an opportunity for a new future and growth in vision.

I believe that this is an opportunity to hang out at home, work previous images, and plan / execute new subject matter / ideas. It’s like we have been asked to take a step back from our normally busy world, and breathe. I look forward to the photographic images that emerge through this time of transition and change.

The photo above was taken last year on my way to the Othello Sandhill Crane Festival. I spoke on bird photography. It was an amazing trip and opportunity to meet fellow photographers. This year, the festival was canceled due to the pandemic. I was going to lead a photography tour highlighting the migratory Sandhill Cranes. Maybe, I’ll get to do this next year. . .

I did venture to the Port Susan Snow Goose Festival. It was a quiet year for sighting birds at a close distance. This photo was taken last year (2019).  A year made an immense difference in flock sizes and attendees of the festival. It seems like there was a shadow hanging overhead in the background.

Many of the festivals and gatherings for photographers (and others) are canceled in the foreseeable future, so what are we to do?

First, I think it is important to continue shooting. It might sound difficult to achieve in this home-bound times, but it only requires a bit of creativity. Maybe, it’s time to learn a new photography skill. It could be choosing subjects at home that will improve skills. Everything we learn as photographers translates into better photographs. Now is a great time to try new things.

Second, I believe it helps to create assignments to complete. An example would be to shoot a photo a day, or select a word and try to accomplish it in a photograph.

Third, this is a great time for planning. I’ve been working on planning 6 to 12 months from now, making the plans flexible. I know that these plans help me with creating course content for my classes / workshops, designing new products to sell, and personal projects. Often times, these sessions reveal opportunities for books, articles, and blog entries.

One last thing. . .all of my classes will be taught online until further notice.

Sunsets and Vibrant Color

by karenulvestad, posted in Tips, Workshops

copyright Karen Ulvestad

Sunsets and color seem to go together. It’s hard to show the character of a sunset in black & white.

The sun isn’t always yellow. The Earth’s atmosphere affects the color of the sun, and the colors reflected in the sky.

The photo above was taken on the Oregon coast looking out over the Pacific Ocean. I love how the sun came out with 3 main colors, the sky was such an intense orange, and the small clouds in the top left side of the image.

Each sunset is unique in color, cloud formations, and the color of the sun.

copyright Karen Ulvestad

Then, there is the pastel colors that can be produced at sunset. I love the pastel pinks in the photo above, and the way the color reflects off of the ferry boat. Adding a subject to the frame adds to the composition and interest in the photograph.

copyright Karen Ulvestad

My favorite time to photograph a sunset is after the sun sets. Usually, most photographers and people leave after the sun dips below the horizon. I find that the color may intensify after the sun sets.

I love the dramatic colors, and the ability to capture the stars / moon. Again, I added a ferry boat in the image above. I like how the lights on the ferry help define the boat, while maintaining to color of the sky.

Tip. . .under-expose sunset photographs. . .

Happy Shooting. . .Karen

Excerpt from Summer Photography: Beaches & Sunsets. EdCC Extented Learning Program – July 12, 19, 26, 2017. 

The Oregon Coast in Black & White

by karenulvestad, posted in Workshops

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This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

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Visualize ~ Create ~ Evoke

Karen

Remember the Sky

by karenulvestad, posted in Tips, Workshops

copyright Karen Ulvestad

The sky is an important composition element. When included in the photograph, it can be a solid blue or grey, have texture from clouds, or have importance (depending on how much is included). Each of these composition choices affects the “feeling” of the photograph.

In the image above, the clouds are an important part of the composition. Their shape reflects the patchy snow on the meadow below.

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In this photograph, the clouds come in two distinct textures. One is puffy and closer to the water’s surface. The others are higher in the atmosphere, and are linear. The puffy clouds mimic the headland, and islands (sea stacks). The higher clouds create a diagonal line, which draws the views eye through the image.

copyright Karen Ulvestad

In this last image, the sky is without clouds. The interest in this photograph is the flowers and building, without the sky competing with the subject for attention. A clear sky helps a specific subject stand out, or it simplifies the composition.

Happy shooting. . .Karen

Black & White

by karenulvestad, posted in Instruction, Workshops

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Black and white photography uses tonality, contrast, and composition to engage the viewer. It is the origins of photography, and the favorite of famous photographers such as Ansel Adams.

This type of photography takes a different “eye” than its color counter part. The tonality of black and white succumbs to the vibrance of color in color photography. Often, a photographer is good at one or the other, but not both. It requires 2 different ways of “seeing” the shot.

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The mood of the black and white image is more than its tones. The clarity of the image or softness add to the composition. The top photograph evokes a feeling of a storm, while the second is crisp and shows clarity. Each stands on its own composition, telling 2 different stories of the Oregon coast.

I’ll leave with 1 more image. . .

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Happy Shooting. . .

“The Oregon Coast in Black & White” July 1-2, 2017 at Sitka Center for Arts & Ecology

Tips on Shooting Subjects at Night

by karenulvestad, posted in Tips, Workshops

Generally speaking, photography is the use of light to create an image. Night is without the sun, so light sources are created by humankind. The photographer uses these sources of light to create artist renditions of night scenes, fireworks, the moon, or portraits.

In the exposure equation, the photographer needs to manipulate either or all of the following: ISO, Aperture, or Shutter Speed. It is advisable to use a tripod.

The first image here is from a large fireworks display. I used a tripod, and a long exposure to capture the lines of light. The exposure was F11, 8 seconds at 125 ISO. The watercolor wash feeling of color is from the fireworks reflecting off the smoke.

TIP: Pick a spot to shoot from, pre-set the exposure, and use a tripod/shutter release.

copyright Karen Ulvestad

In this next photograph, the fireworks are used to create a portrait of the child. This is a sparkler, and it casts an incandescent light color on the subject. The green light in the background is fluorescent. This was shot with a Daylight White Balance. The exposure is F5.6, 4 seconds at 100 ISO. I used a tripod.

The color of the sparkler will show in the photograph. This was a gold (or yellow) sparkler. It’s good to dress the subject in medium-toned clothing, which will stand-out from the dark background and bright light of the sparkler.

TIP: Have the person hold as still as possible, while moving the sparkler.

copyright Karen Ulvestad

This last image is of the “Super” Moon last month. The exposure for this image is F16, 1/100 second at 400 ISO. The moon is very bright, due to the fact it reflects the sun’s light. To expose it and show the craters, the photograph must be under-exposed. This means to let in less light than the light-meter in the camera indicates as the correct exposure.

For more detailed information on exposure and camera operation, I will be teaching classes through the City of Edmonds this fall.

Happy Shooting. . .Karen

copyright Karen Ulvestad