Remember the Sky

copyright Karen Ulvestad

The sky is an important composition element. When included in the photograph, it can be a solid blue or grey, have texture from clouds, or have importance (depending on how much is included). Each of these composition choices affects the “feeling” of the photograph.

In the image above, the clouds are an important part of the composition. Their shape reflects the patchy snow on the meadow below.

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In this photograph, the clouds come in two distinct textures. One is puffy and closer to the water’s surface. The others are higher in the atmosphere, and are linear. The puffy clouds mimic the headland, and islands (sea stacks). The higher clouds create a diagonal line, which draws the views eye through the image.

copyright Karen Ulvestad

In this last image, the sky is without clouds. The interest in this photograph is the flowers and building, without the sky competing with the subject for attention. A clear sky helps a specific subject stand out, or it simplifies the composition.

Happy shooting. . .Karen

The Human Side of Photography

As I am preparing for my workshop in Oregon next week (May 28-29), I am reminded about all the knowledge that goes into creating a beautiful bird and wildlife images. The camera is a view into how we “feel” at the time of taking the pictures. How are we “seeing” at the time of the shoot. These are the human element of photography. It affects our choices of composition, exposure, focus, and use of light.

This first photo was partially visualized before I took the image. I saw this flock of Dowitchers from across the pond, and had to go back to a better view-point to photograph them. I walked quickly back, and on the way thought about how I wanted to shoot the images. The lighting was back-lighting, which meant I would either have silhouettes (birds) or major hot-spots.

Right after getting to the other-side of the pond, a hawk took to the air, and the flock took flight. They circled the pond, and this is their landing. I like the reflections in the water, and the back-light feathers on the wings and tails. I did crop  from the top of the image, to bring the focus to the birds.

copyright Karen Ulvestad

Each photograph we take has a story to tell. The last two images were not cropped, and show two different stories. The hawk just took flight from a tree top, and this was taken in-between the branches. Thankfully, it was late fall, and the leaves had already fallen. The focus of this image is the eye of the raptor, and the focus plain includes the head, body, feet, and tail. The blur in the wings shows motion. I had studied the hawk for a few minutes before he took flight, and this familiarity allowed me to see the openings for a good photograph.

copyright Karen Ulvestad

This last image was taken on the Oregon coast. It was a beautiful sunny day, then the fog came rolling in. These Brown Pelicans found a resting place on one of the sea stacks. This image shows them preening and resting, before going out hunting later in the day. The clouds/fog brought a soft light onto the subject, and allowed the colors in the rocks to show.

copyright Karen Ulvestad

Happy Shooting. . .Karen

Filters & Color

Filters can be used to enhance colors in a photograph.  They may filter out some light rays, while accentuating others.  My favorite filter is a Polarizing filter.

copyright Karen Ulvestad

With a polarizing filter, it cuts the “glare” from the sunlight off of the surfaces being photographed.  It can turn the sky a deep blue, or bring washed-out colors back into a normal range.  The photo above was taken in the morning around 9 am.  This was shot in the high desert in Eastern Oregon, and the light started becoming harsh a little after 9 am.  The polarizing filter enhanced the blue sky, and the red in the hillside.

The photo below was taken later in the day.  The leaves are green, because of the polarizing filter.  This filter can change water reflections, by enhancing them or making them disappear.  In clear water, this allows for the bottom of the water source to be seen, like in the last photograph.

The digital medium requires a circular polarizing filter, to properly work with the medium.  It is most effective 90 degrees from the sun, though it does continue to work at lessor angles (with less polarization).  The filter freely turns, and the amount of polarization in the photo is affected by this.

copyright Karen Ulvestad

There is not a filter that can correct bad lighting, such as mid-day in the desert.  Creating brilliant color in photographs requires good light, proper exposure, correct white balance (WB) and appropriate filters.  Some of my previous posts discuss lighting and exposure.

More later, and Happy Shooting. . .Karen

copyright Karen Ulvestad

What’s in a Digital Darkroom?

Often times, I get asked if I “Photoshop” my photographs.  If it was a film image, it would be like asking me if I took my film to a photo lab, which I worked at one for a couple of years.  Our job as employees was to give the customer the best photograph possible from their film.  We would color correct the prints, before they left the lab.

In the digital age, there is a lot of concern about “manipulating” photographs.  In truth, all photographs are a manipulation of a scene through composition, and use of exposure.

So, what is a Digital Darkroom?

A Digital Darkroom is a software, such as Photoshop, Elements, or Aperture, where a photographer can color correct his/her photographs.  There are tools to remove dust spots, filters to enhance color and cropping tools.  What comes out at the end is the photograph the photographer wanted to take.

To answer the question. . .yes. . .I use Photoshop.  I gather the best possible data with my camera, then polish it into the photograph I saw through my lens.

Here is an example of what computer software can do. . .

copyright Karen UlvestadIn this photo, I used Photoshop to remove dust and correct color.

copyright Karen Ulvestad

In this photo, I started with Photoshop to remove dust and correct color.  Then, I used Topaz filters to reduce haze, and further enhance the color.

Happy shooting, and More Later. . .Karen

Nature’s Light & Time of Day

copyright Karen UlvestadDaylight changes through-out the day.  The harshest light is mid-day, where the sunlight travels through less atmosphere.  The warmest light is in the morning or evening.  The photography shown here was taken in the evening, as the sun was setting.

The orange and pink of the sunlight reflect on the water’s surface, and the warm light baths the birds in flight.  The blue is the reflection of the blue sky.

If this was taken during mid-day, the colors would be “washed-out”, and the light would appear to be hard or harsh.

The best time of day to shoot photography is before 10 am and after 2 pm.  The sunlight travels through more of the Earth’s atmosphere, and it is less harsh.  Colors are more apparent either earlier or later in the day.  The colors of the subject will be warmer, and more vibrant.

More Later. . .Karen