Oregon Coast Archives -

Black & White Photography Tips

May 21, 2018 by karenulvestad, posted in Digital Darkroom, Tips, Workshops

Black and white photography relies on the tonal quality of the colors in the scene. The way the photographer “sees” the image changes. Without the reliance on color, the photograph relies on whites, blacks, and gray tones.

The human eye sees about 16 million colors. To create a successful black and white photograph, those colors need to be translated into their tonal quality. This is dependent on camera settings, and post production processes.

Traditional black and white was done with black and white film. The process of exposure and film choice dictated the end photograph. Modern digital cameras work differently. The camera’s photo sensor sees light and filters colors. Black and white settings on the camera can produce beautiful photographs, though it will depend on the camera’s programming.

The contrast between light and dark, along with the mid-tones, create the black and white image. The settings for black and white are in picture style, filters, or color (tone) menus of the digital camera. In many cameras, the photographer can set the contrast, brightness, and other settings for the photograph.

The second way to create successful black and white photographs is in the post processing phase of modern photography. There are many different types of photo processing software and photo filters available. The photos in this blog were done in Adobe Photoshop.

Karen
Visualize ~ Create ~ Evoke

To learn more, I’ll be teaching Black & White photography on the amazing Oregon coast this June 2018. The Oregon Coast in Black & White, June 18th & 19th, 2018 at the Sitka Center for Arts & Ecology. For more information, click here.

The Oregon Coast in Black & White

May 11, 2017 by karenulvestad, posted in Workshops

This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

Visualize ~ Create ~ Evoke

Karen

Black & White

January 30, 2017January 28, 2017 by karenulvestad, posted in Instruction, Workshops

Black and white photography uses tonality, contrast, and composition to engage the viewer. It is the origins of photography, and the favorite of famous photographers such as Ansel Adams.

This type of photography takes a different “eye” than its color counter part. The tonality of black and white succumbs to the vibrance of color in color photography. Often, a photographer is good at one or the other, but not both. It requires 2 different ways of “seeing” the shot.

The mood of the black and white image is more than its tones. The clarity of the image or softness add to the composition. The top photograph evokes a feeling of a storm, while the second is crisp and shows clarity. Each stands on its own composition, telling 2 different stories of the Oregon coast.

I’ll leave with 1 more image. . .

Happy Shooting. . .

“The Oregon Coast in Black & White” July 1-2, 2017 at Sitka Center for Arts & Ecology

Photography is Painting with Light

August 7, 2014 by karenulvestad, posted in Instruction, Tips

Light is everything when it comes to photography. These three photographs were taken on the same evening. To the east towards the coastal mountain range, the weather was thunder and lightning. Along the coast, the clouds created a dramatic sky for the coming sunset.

The top photo shows the warmth of the late day light in the yellow tone to the green grass on the sand dunes. The dramatic clouds were either dark grey or white, and contrasted against the brilliant blue sky.

The photograph below is a simple composition of the sky and clouds. One of the tools used for the blue sky is a polarizing filter. For digital cameras, the filter must be a circular polarizing filter.

The white balance on these images is daylight, or simply use the AUTO setting. Minor adjustments can be made in the Digital Darkroom on the computer.

The bottom photograph is the sun peeking through the dramatic clouds. The sun starred because of the large aperture setting on the camera. Each of these photos was shot on the manual setting for maximum control over the final image.

Remember, using manual settings for exposure give total control over the final photograph. I am available for private consultations, lessons, and individual/group instruction (both in person and online).

Happy Shooting. . .Karen

Sitka Workshop Went Great

July 8, 2014July 8, 2014 by karenulvestad, posted in Location, Workshops

“Excellent instructor – willing to help and make accommodations for all. . .” Student comment. . .

The Spirit of Place workshop I taught at the Sitka Center for Arts & Ecology went great! The students were a fantastic group of diverse individuals with a desire to learn more about photography. We ventured out on our second day to Cape Kawanda (Pacific City), and Neskowin. We practiced the workshop skills photographing the expansive landscape, dories, tide pools, gray whales, and birds. Below is an image of one of the students photographing the dories, as they came into the beach.

Below is one of my photographs taken of the dories from the beach. The tide was out, and we were able to walk through the tide pool area near the cape. The dories require a fast shutter speed to capture the action with clarity. My students had the opportunity to shoot these experiences, while learning the finer points of exposure and composition. My workshops are balanced between learning in the classroom, practicing in the field, and exploring the possibilities of the photographic medium.

While exploring the area after teaching the workshop all day, I came across this mule deer buck and a doe. The light was waning since it was later in the evening. The morning had started out with a bald eagle flying by, and the day ended with deer. Sitka is a fantastic place to take workshops with top-notch instructors, and they offer a variety of art classes through-out the summer months. I’ve been blessed to have been teaching workshops through this school for 3 years.

Happy Shooting. . .Karen

Sharing a Story in a Photographic Image

May 18, 2014 by karenulvestad, posted in Instruction, Workshops

Photographs come in many different styles, such as landscape, wildlife, people, and commercial. There are many more that are not listed here. What separates a photograph from others is the clarity of the story it tells. What does the photographer share with the audience that isn’t shared in other images.

The photograph below is a shot of Proposal Rock on the Oregon coast. This area is photographed often by locals and visitors. So the challenge becomes, how does a photographer make his/her photograph different from every other photograph of this beach and rock? In this case, the difference is a pair of shoes with bright colored laces.

This second photograph utilizes people in a landscape photograph. The viewer first sees the child holding the lens, the railing behind the child, and finally the landscape in the background. This shot is from Waimea Canyon on the island of Kauaii (Hawaiian Islands). The depth of field in this shot give value to its elements. . .the child, the railing, and the canyon. The clouds in the sky add further texture to the image.

It seems fitting to end with this photograph of a Bald Eagle at sunset. The sunset becomes the sun, color of the sky, and the silhouetted eagle. This is a single shot in the camera, which means it was thought through before the photograph was taken. Planning can help create a one-of-a-kind photographic image.

This is an excerpt from my upcoming workshop The Spirit of Place at the Sitka Center for Arts and Ecology in June.

More next time. . .Happy Shooting. . .Karen

The Best of 2013

December 28, 2013 by karenulvestad, posted in Best Of

It was a year of change, and it reflected in my photographic images. This first image is about community. I was experimenting with a new 2x tele-converter with my 100-400 mm lens, and this was the result. On a drifting log resting are harbor seals, cormorants, gulls, and sandpipers.

This next image is Oregon in hoarfrost with a redtail hawk at the top of the tree. I love the monochromatic of this image, and the color of the hawk.

Experimenting became one of the tools I used this past year. I love the peaceful feeling of this sunset, through the many layers of colors. This was done in the camera, then worked in the digital darkroom.

Next is the super moon of 2013. We missed most of the meteor showers and eclipses due to clouds. So, this was a fantastic opportunity.

Next is the power of a spring storm on the Oregon coast. The monochromatic nature of this image lends itself to the rain that is coming in off the Pacific Ocean. The bird is a cormorant, and the boat is a Coast Guard cutter.

I finish off with a pair of Peregrine Falcons. The female is on the cliff, and the male is flying in after she called him. It was a great event to photograph and experience.

For my annual video clip of my 2013 best, visit here.

Happy Shooting. . .Karen

Making Artistic Choices. . .

July 2, 2013July 2, 2013 by karenulvestad, posted in Instruction, Tips, Workshops

Photography is the art of taking light waves, controlling their intensity, and creating a visual image. Though this process, there are several decisions or choices make regarding exposure, composition, and subject. During my workshop at Sitka, we spent one day hiking through the forest. I usually spend my time working with students individually, and pointing out areas of interest. I teach by both talking and showing examples.

The image below is from this workshop. We were looking for forest birds, and learning about habitat. Then, we came upon this tree, and the wonderful photographic opportunity. I pointed out the tree with all the fungus growing on its right side. It was a great subject to test out depth-of-field (aperture) and composition.

copyright Karen Ulvestad — Shot Info – 100mm; 400 ISO; 1/60 sec.; F5.6

The entire area covered by fungus was large. It was at least 5 feet in height, and covered the back side of the tree. The trail allowed us to walk near and partially around the tree. The image below is a portion of the whole, and the depth-of-field keeps the fungus in focus, and part of the moss. The background in a series of white circular shapes and dark greens. The white is the over-cast sky, and the green is the forest.

This was shot with my 100-400 mm lens at 200 mm. I selected a section of the fungus that showed the top and bottom textures.

In the image below, I cropped tighter by shooting at 400 mm. I changed the background to the forest, which turn various shades of green. The closer crop allows the details of the subject to show in the frame. . .textures, water drops, and spider webs. I left a small section of the tree to anchor the subject in the frame.

In both this image and the one above, I left space at the bottom of the frame, so the bottom fungus are complete. This gives the eye a completeness of the subject, and avoids looking incomplete. More next time. . .

Happy Shooting. . .Karen

My next workshop is July 27 & 28, 2013 at the Pacific Northwest Art School.

Photographing Nesting Bird Colonies

June 4, 2013 by karenulvestad, posted in Instruction, Location, Workshops

I returned from teaching a fantastic workshop at Sitka on the Oregon coast last Thursday. We had the opportunity to photograph thousands of nesting birds. The low tide offered us an opportunity to walk closer to the bird colonies, and gave an opportunity to see tide pools filled with marine life. The lower rocks were filled with Harbor Seals.

One of the biggest parts of the class was learning to make order out of the pandemonium of the scene. The air is filled with the calls of the birds, the ocean waves are crashing on the rocky shoreline, and the constant movement of the birds. The area had over 60,000 nesting seabirds, raptors and songbirds. The species most prevalent were Common Murre, Brandt’s Cormorants, Pelagic Cormorants, Peregrine Falcon, Bald Eagle, White-crested Sparrow, Turkey Vultures, Gulls, and Great Blue Heron.

The photo above is a small section of the Common Murre colony. Often times, these areas are windy. It is advisable to use a lens with Image Stabilization (Vibration Reduction, etc.), or a sturdy tripod, when photographing the birds. Video clips always require a stable tripod.

The photograph below was taken from the beach looking up at the birds. These nesting areas usually have several species of birds nesting together, though each has a “zone” they will use. In this instance, the birds at the top are mostly Common Murre, while the Cormorants are intermingled or below. The lowest level in this image would be the Gulls.

In addition to all the visual, audio, and physical input, it is important to remember to think about composition, exposure, and focus. The image below was visualized before being taken. The composition is relatively simple. The exposure allows the fore-ground to silhouette against the sky. These are the pieces that create the successful image within the arena of pandemonium of the scene.

My next workshop on Bird & Wildlife photography will be July 27 & 28, 2013 through the Pacific Northwest Art School.

Happy Shooting. . .Karen

The Human Side of Photography

May 19, 2013 by karenulvestad, posted in Instruction, Tips, Workshops

As I am preparing for my workshop in Oregon next week (May 28-29), I am reminded about all the knowledge that goes into creating a beautiful bird and wildlife images. The camera is a view into how we “feel” at the time of taking the pictures. How are we “seeing” at the time of the shoot. These are the human element of photography. It affects our choices of composition, exposure, focus, and use of light.

This first photo was partially visualized before I took the image. I saw this flock of Dowitchers from across the pond, and had to go back to a better view-point to photograph them. I walked quickly back, and on the way thought about how I wanted to shoot the images. The lighting was back-lighting, which meant I would either have silhouettes (birds) or major hot-spots.

Right after getting to the other-side of the pond, a hawk took to the air, and the flock took flight. They circled the pond, and this is their landing. I like the reflections in the water, and the back-light feathers on the wings and tails. I did crop from the top of the image, to bring the focus to the birds.

Each photograph we take has a story to tell. The last two images were not cropped, and show two different stories. The hawk just took flight from a tree top, and this was taken in-between the branches. Thankfully, it was late fall, and the leaves had already fallen. The focus of this image is the eye of the raptor, and the focus plain includes the head, body, feet, and tail. The blur in the wings shows motion. I had studied the hawk for a few minutes before he took flight, and this familiarity allowed me to see the openings for a good photograph.

This last image was taken on the Oregon coast. It was a beautiful sunny day, then the fog came rolling in. These Brown Pelicans found a resting place on one of the sea stacks. This image shows them preening and resting, before going out hunting later in the day. The clouds/fog brought a soft light onto the subject, and allowed the colors in the rocks to show.

Happy Shooting. . .Karen

Tag: Oregon Coast

Black & White Photography Tips

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The Oregon Coast in Black & White

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Black & White

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Photography is Painting with Light

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Sitka Workshop Went Great

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Sharing a Story in a Photographic Image

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The Best of 2013

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Making Artistic Choices. . .

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Photographing Nesting Bird Colonies

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The Human Side of Photography

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