Creating a Photographic Story

copyright Karen Ulvestad

A photograph is the reflection of the photographer at the time the image is created. It reflects our mood, vision, and emotional state. The way the light is captured in the image, then post processed reveals the story hidden in the photograph. It is a visual communication between the photographer and their audience.

The image above was take this spring during the afternoon (during a short day escape during the Pandemic). The weather report called for rain, yet it hadn’t rained yet. The clouds were amazing and dynamic. The hillside viewpoint allowed me to include the Columbia River, Vantage, I-90, and the dynamic clouds. I brought more contrast into the post processing. I like how it look a ominous.

In the next image, I took a different approach. . .

copyright Karen Ulvestad

What attracted my attention in this image is the dynamic clouds, the lines of the hillside, and the wild horse monument. I return to this place at least once a year to experience the high desert changes. I love the changing sky. Often this area is a treasure trove of opportunities to explore line, shape, textures, and other compositional elements. It usually isn’t over-run with people, and the hike to the top is relatively easy.

The biggest piece in creating a photographic story is the photographer’s vision or ability to compose in the field. It is the culmination of an idea, and the cooperation of the weather/other elements in the environment. The subject or important element needs to fill the frame. The following photograph focuses on the amazing cloud formations.

copyright Karen Ulvestad

The clouds are far more interesting than the landscape, yet what sits on the horizon? This is looking west towards the Cascade Mountains, and the clouds have created a dark blue-gray background for the turbines in the distance. A small airplane sits in the sky against the background of the massive clouds. Both the turbines and airplane give some perspective on the size of these cloud formations.

Exposure for these images is important and contributes to the story. All three are shot with at F16 or F22. This is a large depth of field, and gives the viewer a visual reference to the fore-ground, mid-ground, and background. A larger depth of field gives an expansive feeling to the photographs, and contributes to the 3D feeling in the images. A shallower depth of field would give less visual information to the viewer, and feel more 2 dimensional.

Through all these social challenges we face today, may everyone stay well and continue to photograph the world around us.

Karen

The Oregon Coast in Black & White

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This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

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Visualize ~ Create ~ Evoke

Karen

Photo Walks Are A Hands-on Way To Learn Photography

copyright Karen Ulvestad

Sunsets and Photo Walks seem to go together. It is a great way to learn exposure, while photographing a sunset. Exposure affects the colors in the sunset, whether or not a foreground object becomes a silhouette, or simply how to prevent the flash from going off. It’s helpful to have a knowledgeable photography instructor to help hone these skills.copyright Karen Ulvestad

 

 

The Edmonds waterfront is a great place to see the sunset, and experience a photo walk. There is a great abundance of subjects to photograph, including the ferry boats, sail boats, gulls, bald eagles, harbor seals, and more.

I would love to see you at my next photo walk on August 25th, 2016. Sign up is through the City of Edmonds at http://www.reczone.org.

Life is Good!

Karen

Painting With Light on the Oregon Coast

Thought I would share my latest venture. June is the time to teach on the Oregon coast at the Sitka Center for Arts & Ecology. Hope you enjoy & please share. . .Life is Good!

Happy shooting. . .Karen

The Call of Iceland

As a photographer, specific places call to my spirit to visit. Iceland calls. It calls to the very core of my being. It’s all about the birds.

I’ve been watching the birds here on the Pacific Ocean shores, and it’s interesting to see their successes and slow disappearance. Iceland isn’t different. The largest colony of Atlantic Puffins have not had a successful breeding season in the past 5 years (from my online research). I want to see 500,000 birds before they disappear. I want to feel dwarfed by the amazing landscape, powerful sea, and the incredible bird colonies.

The water temperatures are changing, which is changing the food supply. This is a personal project for me. Those without voices look to those of us with words and photographs to speak for them.

I want to invite other photographers to join me in the isolated and breathe-taking landscape. I’m putting together lodging and guided trips to isolated areas. I’m hoping to connect with a biologist or two, and to experience the culture of Iceland.

Let me know if you’re in for the adventure. I’m going the end of May 2016.

Best Places For A Fall Getaway Near Seattle

copyright Karen Ulvestad
Tumwater Canyon

This is my latest article on Fall Getaways. These are all great areas for fall color, and many opportunities for photographs.

“There are many places within a two-hour drive of Seattle that show intense color in the falls. The best viewing time for color varies from year to year, but usually falls between mid-September to the end of November. The higher elevations change first, and the lower elevations linger into November on a dry year. The brilliant yellows, oranges and reds of the deciduous trees stand out against the deep green of the evergreens.”

For the complete article, click here.

 

 

Photography is Painting with Light

 

 

copyright Karen Ulvestad

Light is everything when it comes to photography. These three photographs were taken on the same evening. To the east towards the coastal mountain range, the weather was thunder and lightning. Along the coast, the clouds created a dramatic sky for the coming sunset.

The top photo shows the warmth of the late day light in the yellow tone to the green grass on the sand dunes. The dramatic clouds were either dark grey or white, and contrasted against the brilliant blue sky.

The photograph below is a simple composition of the sky and clouds. One of the tools used for the blue sky is a polarizing filter. For digital cameras, the filter must be a circular polarizing filter.

copyright Karen Ulvestad

 

The white balance on these images is daylight, or simply use the AUTO setting. Minor adjustments can be made in the Digital Darkroom on the computer.

The bottom photograph is the sun peeking through the dramatic clouds. The sun starred because of the large aperture setting on the camera. Each of these photos was shot on the manual setting for maximum control over the final image.

 

copyright Karen Ulvestad

 

Remember, using manual settings for exposure give total control over the final photograph. I am available for private consultations, lessons, and individual/group instruction (both in person and online).

Happy Shooting. . .Karen

Sitka Workshop Went Great

“Excellent instructor – willing to help and make accommodations for all. . .” Student comment. . .

The Spirit of Place workshop I taught at the Sitka Center for Arts & Ecology went great! The students were a fantastic group of diverse individuals with a desire to learn more about photography. We ventured out on our second day to Cape Kawanda (Pacific City), and Neskowin. We practiced the workshop skills photographing the expansive landscape, dories, tide pools, gray whales, and birds. Below is an image of one of the students photographing the dories, as they came into the beach.

copyright Karen Ulvestad

Below is one of my photographs taken of the dories from the beach. The tide was out, and we were able to walk through the tide pool area near the cape. The dories require a fast shutter speed to capture the action with clarity. My students had the opportunity to shoot these experiences, while learning the finer points of exposure and composition. My workshops are balanced between learning in the classroom, practicing in the field, and exploring the possibilities of the photographic medium.

copyright Karen Ulvestad

While exploring the area after teaching the workshop all day, I came across this mule deer buck and a doe. The light was waning since it was later in the evening. The morning had started out with a bald eagle flying by, and the day ended with deer. Sitka is a fantastic place to take workshops with top-notch instructors, and they offer a variety of art classes through-out the summer months. I’ve been blessed to have been teaching workshops through this school for 3 years.

copyright Karen Ulvestad

Happy Shooting. . .Karen

copyright Karen Ulvestad

Selecting the Shot. . .

Spring has sprung in parts of the world, and the flowers are coming forth. Often times, locations are crowded with people when the light is best for shooting. In the Puget Sound area, spring means cherry blossoms on the University of Washington campus, the Skagit Valley Tulip Festival, and Washington Park Arboretum. Every season has its crowds. . .so, how do you find the photograph?

copyright Karen Ulvestad

In the photo above, the throngs of people are obvious, and the garbage cans are over-flowing. The scene is quite noisy, and full of activity. Everyone is out because of the sunshine and the cherry blossoms. This is Sunday on the University of Washington campus (at the Quad). It is late afternoon light, which is warmer than mid-afternoon.

copyright Karen Ulvestad

One way to cut-out the crowds is to choose selective portions of the buildings and cherry blossoms. The image above shows the Gothic architecture against a vivid blue sky, and framed with the subtle pink cherry blossoms in front. The crowds are below the bottom of the frame, and the photo takes on a peaceful quality. It exudes quite afternoon on campus.

copyright Karen Ulvestad

Another way to exclude the crowds is to change perspective. This shot is looking straight-up under the cherry trees. The branches become a linear component of the composition with the repetitive pattern of the cherry blossoms. The only limit to the possibilities is one’s imagination. . .

Happy Shooting. . .Karen

Photography Destinations in the Greater Seattle Area

The greater Seattle area is loaded with photographic destinations. The city is brimming with opportunities to create photographs of people, architecture, nature, and abstracts. Each of these destinations listed change with the seasons, and offer continual opportunities for creative images.

For the rest of the article, visit Photography Destinations in the Greater Seattle Area.