Tag: light and color

copyright Karen Ulvestad

Controlling the narrative

by karenulvestad, posted in Instruction, Tips

Photography is visual communication. What we put into the photograph communicates what we see in the scene or situation. We control the story through subject matter, composition, and exposure. Post processing the digital file enhances our narrative about the subject.

copyright Karen Ulvestad

The narrative portrayed in a photograph is subjective to the photographer and the viewer. It is the culmination of light control, color / black & white, softness or sharpness. It is often defined by the interpretation of the subject by the photographer. In the image above, the tulip is photographed in soft, diffused light with a shallow depth of field. The light creates soft colors that are reminiscent of springtime.

The shallow depth of field is controlled by the aperture setting. The light is softened by clouds and the trees. This photograph was taken indoors by a window with a screen. The screen acted to diffuse the background colors, and the camera was close enough not to detect the pattern of the screen.

Equipment: Canon 5D Mk IV; Sigma Art Lens 24-105; Extension Tubes; Tripod

copyright Karen Ulvestad

Filling the entire frame with color, texture, and shapes directs the attention to the subject. In this image, the viewer only sees the color of the flower and its petal pattern. The brightness of color is reminiscent of summer. This is a dahlia flower, and the light came through the roof of a greenhouse. The light is even due to the position of the light to the flower. The lens of the camera is parallel to the top of the flower. This allows the amount of focus in the photograph.

Equipment: Samsung Galaxy J7 Phone

copyright Karen Ulvestad
copyright Karen Ulvestad
copyright Karen Ulvestad

This last photograph was taken at a very crowded urban area. There were several hundred people under the trees admiring the beautiful cherry blossoms, and tall buildings. This is a time where being selective and creative with the situation needs to happen when choosing the subject. In this scenario, the time of day is crucial for the right lighting of the blossoms and the photograph’s over-all color.

Equipment: Canon 5D Mk II; Canon Lens 17-40 at 17mm

May your Spring be filled with Great Photographs. . .Karen

Winter Light & Photography

by karenulvestad, posted in light

WPHeader030215-5

The light through the winter changes in both color and intensity. The sun drops lower on the horizon, and travels through more of the Earth’s atmosphere. This changes the colors that we and our cameras see.

The photograph above is trumpeter swans in January at dusk. The light in the sky is soft and diffused. The swans reflect the color of the blue sky on their wings, and remain neutral colored on their underside.

WPHeader030215-4

The colors change in the landscape. Everything appears more pastel, and with less contrast. Even the blue of the sky changes to a softer hue. The clouds add interest to the photograph, and are perfect to include into the composition.

The photograph above was taken during the winter months. The soft light of late day is diffused by the broken clouds in the sky, offering a soft light bathing the scene. The colors are rich, yet softer than the summer months.

copyright Karen Ulvestad

Winter can bring starkness of color with its snow, frost and/or over cast sky. It is a great time to explore monochromatic images. Enjoy the season!

Happy shooting. . .Karen

 

It’s All About the Light. . .

by karenulvestad, posted in Instruction, light

copyright Karen Ulvestad

Photography is possible because of Light. Without light, the image is black. With too much light, the photo is white.

How do we control this light? It is controlled through exposure.

Exposure = ISO + Aperture + Shutter Speed

It is the photographer along with the camera settings that creates the photograph. Every photograph is a reflection of the photographer’s intent for the image.

The use of light affects the subject, story, and quality of the photograph. It is the choices of the photographer!

Happy Shooting. . .Karen

A Big Thank You. . .

by karenulvestad, posted in Instruction

I decided this year to give a big Thank You for an amazing 2016. I am so grateful for all the students that enrolled in my classes / workshops, all the likes on my photos and blog, and my clients.

Digital Photography Basics is my new eBook, and I just published it on Amazon. I am offering it for FREE through Friday, December 2nd.

Please feel free to download, share, or give as a gift.

Happy Shooting. . .Karen

 

Spirit of Place

by karenulvestad, posted in Instruction, Workshops

copyright Karen Ulvestad

I cannot teach this workshop often enough! This is the core of a successful photography. The idea is to “capture” the subject’s essence in the 2 dimensional image of a photograph. . .to “tell” a story about the subject.

With people, it is often a smile, tears, or other emotion / action within the photograph. This ideal can be brought to a landscape, wildlife image, or macro subject. Each photographer has their own unique view of the world, and the objective is to share this with the viewer.

Accomplishing this vision includes camera knowledge, composition, “seeing”, and weaving all this into the photographic image.

I love this workshop the most, because we explore all these aspects of photography in the classroom, and strive to combine them in the field. The focus is on techniques, vision, and composition.

I look forward to meeting all the individuals that join this journey to photographic perfection.

Happy Shooting. . .Karen

Photo Walks Are A Hands-on Way To Learn Photography

by karenulvestad, posted in Location, Workshops

copyright Karen Ulvestad

Sunsets and Photo Walks seem to go together. It is a great way to learn exposure, while photographing a sunset. Exposure affects the colors in the sunset, whether or not a foreground object becomes a silhouette, or simply how to prevent the flash from going off. It’s helpful to have a knowledgeable photography instructor to help hone these skills.copyright Karen Ulvestad

 

 

The Edmonds waterfront is a great place to see the sunset, and experience a photo walk. There is a great abundance of subjects to photograph, including the ferry boats, sail boats, gulls, bald eagles, harbor seals, and more.

I would love to see you at my next photo walk on August 25th, 2016. Sign up is through the City of Edmonds at http://www.reczone.org.

Life is Good!

Karen

The Call of Iceland

by karenulvestad, posted in Location

As a photographer, specific places call to my spirit to visit. Iceland calls. It calls to the very core of my being. It’s all about the birds.

I’ve been watching the birds here on the Pacific Ocean shores, and it’s interesting to see their successes and slow disappearance. Iceland isn’t different. The largest colony of Atlantic Puffins have not had a successful breeding season in the past 5 years (from my online research). I want to see 500,000 birds before they disappear. I want to feel dwarfed by the amazing landscape, powerful sea, and the incredible bird colonies.

The water temperatures are changing, which is changing the food supply. This is a personal project for me. Those without voices look to those of us with words and photographs to speak for them.

I want to invite other photographers to join me in the isolated and breathe-taking landscape. I’m putting together lodging and guided trips to isolated areas. I’m hoping to connect with a biologist or two, and to experience the culture of Iceland.

Let me know if you’re in for the adventure. I’m going the end of May 2016.

The Spirit Of Place

by karenulvestad, posted in Tips, Workshops

The Spirit of Place is one of my ideas or personal concepts about photography. At its core is the idea that photographs are created by the photographer through use of light, exposure, and composition. It is our personal view-point or way we translate the scene in a visual way.

copyright Karen UlvestadThis photo uses shadow and light, lines, and people to create the composition of the place. In this image, the viewer sees the blowing sand (top of dune), the rocky wall in the foreground, and the people making their way up the sand dune. It speaks of man and nature co-existing in the late afternoon light.

Nature is one constant in our lives that is ever-changing, yet remains the same. The challenge for the photographer is to take existing elements, and create a pleasing photographic image. Photography is a tool to document the world around us, yet our personal view-point is always present in our images.

copyright Karen UlvestadThe blowing sand in this photograph creates designs on the sand that mimic the wet sand reflecting the blue sky and the ocean waves. In this image, one could see the hillsides in the background as repeating the wavy shape created by the sand and ocean. The scene is completed by all the people enjoying the beach, whether walking along the water or sitting in the sand. By including people, I have given a reference to the size of the landscape.

copyright Karen Ulvestad

Another way to look at this scene is to eliminate or hide the man-made or man’s influence upon the scene. By moving the point-of-view, this image the viewer sees the ocean waves and four gulls. Yes, there is some indications of civilization, but they are not the main components of the composition.

copyright Karen Ulvestad

Now to end this entry, I’ve added a little different concept. This image is titled Windy. It leaves the question, how do we as photographers show wind or other elements in our images? What is that special ingredient that we have included to make our photograph stand-out from the millions of images on the internet?

Stay tuned for more. . .or simply join me for my Spirit of Place workshop on the Oregon coast in June.

Happy shooting. . .Karen

Light & Composition In The City

by karenulvestad, posted in Location, Tips

copyright Karen Ulvestad
I seldom get the opportunity to stay in the city, and photograph all the different types of light. Composing in the city is similar to Landscape photography, but the lines are more linear and defined. I find that it give me a different perspective to take back to the natural world I love to document.

The shot above is an example of “outside” the box composing. This long exposure was taken through the hotel window at F22. The yellow cast to the image is the temperature of the street lights. The “spotting” effect is the dirt on the outside of the window. All this together creates a “grunge” feeling for the photo.

Photographing the city at night, illustrates the different temperatures of light. The colors that look “true” are most likely daylight balanced fluorescent or LED. The yellow is tungsten or incandescent. The green cast is most likely regular fluorescent.

copyright Karen Ulvestad

Daylight brings another look to the buildings. I love the reflections in the modern glass buildings, mixed with the historical brick buildings. The strong use of diagonal line in the above photo guides the viewer’s eye through the picture. Diagonal lines add a feeling of motion to a static image. The reflection in the glass is the buildings across the street light by direct sunlight. I used a polarizing filter to enhance the blues, and was careful not to eliminate the reflection in the glass.

copyright Karen Ulvestad

Cities are filled with contradicting images and ideas. The above image is bullet damage to a 1/2 inch glass window. I like the story it tells of prosperity (see inside the building) and the reflection of the historical buildings across the street. This building was a corporate headquarters, and is was situated in an area of diverse stories of prosperity and decline. The lines in this image are the arrangement of the bullet damage which are taped, and the diagonal lines of the buildings in the reflection.

The image below is a combination of a sculpture and the Tribune tower. I intentionally framed the tower with the brightly colored sculpture, and used a large depth of field to bring out sharpness in the foreground, mid-ground, and background.

Happy shooting. . .Karen

copyright Karen Ulvestad

Photography is Painting with Light

by karenulvestad, posted in Instruction, Tips

 

 

copyright Karen Ulvestad

Light is everything when it comes to photography. These three photographs were taken on the same evening. To the east towards the coastal mountain range, the weather was thunder and lightning. Along the coast, the clouds created a dramatic sky for the coming sunset.

The top photo shows the warmth of the late day light in the yellow tone to the green grass on the sand dunes. The dramatic clouds were either dark grey or white, and contrasted against the brilliant blue sky.

The photograph below is a simple composition of the sky and clouds. One of the tools used for the blue sky is a polarizing filter. For digital cameras, the filter must be a circular polarizing filter.

copyright Karen Ulvestad

 

The white balance on these images is daylight, or simply use the AUTO setting. Minor adjustments can be made in the Digital Darkroom on the computer.

The bottom photograph is the sun peeking through the dramatic clouds. The sun starred because of the large aperture setting on the camera. Each of these photos was shot on the manual setting for maximum control over the final image.

 

copyright Karen Ulvestad

 

Remember, using manual settings for exposure give total control over the final photograph. I am available for private consultations, lessons, and individual/group instruction (both in person and online).

Happy Shooting. . .Karen