Tag: Digital Photography

copyright Karen Ulvestad

Capturing Nature’s Mood

by karenulvestad, posted in light, Tips

Each season brings different moods to our natural landscape. Winter shows us a moody vision with clouds, rain or snow, and lower light. The colors shift from bright summer colors to subdued winter shades. The tonal quality moves towards the middle tones, and contrast is decreased. Clouds in the sky become a giant diffusion filter, diffusing the natural light and letting less light hit the landscape.

The image below shows low lying clouds nestled between hillsides, leafless trees, and rain drops on the water. Less light brings a “darker” feeling to the forest. The aperture is larger to bring sharpness to the entire photograph. So, what mood does it show?

copyright Karen Ulvestad

The composition affects the amount of light that shows in the photograph. Less sky leaves less light in the image. More sky includes more light. Each of these situations changes how the camera “reads” the available light. The exposure with more forest is easier to get a correct exposure, and details in the land features. When more sky is included, the exposure needs to over-expose the scene, if details are wanted in the forest and land features.

In the image below, the exposure allows more light to create the image. The mid-tones (Highlights and Shadows) are worked on through Adobe Camera RAW, which brings out more detail in both the clouds and the trees. A similar exposure can be created in-camera using HDR.

copyright Karen Ulvestad

Drama in the image is created through working on contrast, keeping areas darker/lighter, or desaturating the color (including black & white). The best way to create “moody” images is to shoot RAW files, and refine the photograph on the computer. Sometimes, it is simple like darkening specific areas, and lightening others. The image below is desaturated color. There is still a little bit of color left in the green trees. The clouds contribute to the separation of the darker, tree covered hills. This image shows more contrast in this monochromatic form, than full color.

copyright Karen Ulvestad

As I navigate through the new reality of the pandemic and other challenges, I am teaching more classes and workshops online. If you would like more information on this topic, feel free to contact me directly. Thank you. . .

Happy Shooting. . .Karen

2020 holiday Special

by karenulvestad, posted in Instruction, Workshops

As the year 2020 is coming to an end, it is a great time to learn a new skill or improve an old hobby/passion. I decided that I would offer a special price for an hour of instruction, including answering questions. The topic of instruction will be discussed with the student prior to the session, and will focus on the student’s needs. These sessions will be scheduled between me and the student, and will take place via a ZOOM session. This would make a great Holiday gift for the camera enthusiast, or a child/adult wanting to learn photography. I look forward to working with you in the New Year.

Photographers

One Hour Learning Session

This hour long ZOOM session is designed to help learn a new camera, expand existing knowledge, and/or learn new photography skills. Skills taught could range from camera operation, understanding exposure, composition, the digital darkroom, storing and accessing picture files, and/or subjects/locations to shoot. The subjects taught will be tailored to the student prior to the session. These sessions are great for children or adults. I have taught both age groups in-person and via ZOOM classes. Each session will be scheduled to the availability of the student and instructor. Parents are welcome to be part of a child’s session.

$35.00

Creating a Photographic Story

by karenulvestad, posted in Instruction, light, Location

copyright Karen Ulvestad

A photograph is the reflection of the photographer at the time the image is created. It reflects our mood, vision, and emotional state. The way the light is captured in the image, then post processed reveals the story hidden in the photograph. It is a visual communication between the photographer and their audience.

The image above was take this spring during the afternoon (during a short day escape during the Pandemic). The weather report called for rain, yet it hadn’t rained yet. The clouds were amazing and dynamic. The hillside viewpoint allowed me to include the Columbia River, Vantage, I-90, and the dynamic clouds. I brought more contrast into the post processing. I like how it look a ominous.

In the next image, I took a different approach. . .

copyright Karen Ulvestad

What attracted my attention in this image is the dynamic clouds, the lines of the hillside, and the wild horse monument. I return to this place at least once a year to experience the high desert changes. I love the changing sky. Often this area is a treasure trove of opportunities to explore line, shape, textures, and other compositional elements. It usually isn’t over-run with people, and the hike to the top is relatively easy.

The biggest piece in creating a photographic story is the photographer’s vision or ability to compose in the field. It is the culmination of an idea, and the cooperation of the weather/other elements in the environment. The subject or important element needs to fill the frame. The following photograph focuses on the amazing cloud formations.

copyright Karen Ulvestad

The clouds are far more interesting than the landscape, yet what sits on the horizon? This is looking west towards the Cascade Mountains, and the clouds have created a dark blue-gray background for the turbines in the distance. A small airplane sits in the sky against the background of the massive clouds. Both the turbines and airplane give some perspective on the size of these cloud formations.

Exposure for these images is important and contributes to the story. All three are shot with at F16 or F22. This is a large depth of field, and gives the viewer a visual reference to the fore-ground, mid-ground, and background. A larger depth of field gives an expansive feeling to the photographs, and contributes to the 3D feeling in the images. A shallower depth of field would give less visual information to the viewer, and feel more 2 dimensional.

Through all these social challenges we face today, may everyone stay well and continue to photograph the world around us.

Karen

Changing Times. . .

by karenulvestad, posted in Bird Festivals, Tips

It’s amazing how quickly our world changes! I hope this post finds all my followers in good health. As we navigate this new world filled with a dangerous pandemic (virus) and travel restrictions, I think it becomes more important to find ourselves behind our cameras documenting the world.

The act of being creative puts perspective to the unseen and sometimes frightening aspects of our lives. I sit here at home contemplating opportunities that have been canceled in the past few weeks and in the upcoming future. There is a lot to fear, yet it is an opportunity for a new future and growth in vision.

I believe that this is an opportunity to hang out at home, work previous images, and plan / execute new subject matter / ideas. It’s like we have been asked to take a step back from our normally busy world, and breathe. I look forward to the photographic images that emerge through this time of transition and change.

The photo above was taken last year on my way to the Othello Sandhill Crane Festival. I spoke on bird photography. It was an amazing trip and opportunity to meet fellow photographers. This year, the festival was canceled due to the pandemic. I was going to lead a photography tour highlighting the migratory Sandhill Cranes. Maybe, I’ll get to do this next year. . .

I did venture to the Port Susan Snow Goose Festival. It was a quiet year for sighting birds at a close distance. This photo was taken last year (2019).  A year made an immense difference in flock sizes and attendees of the festival. It seems like there was a shadow hanging overhead in the background.

Many of the festivals and gatherings for photographers (and others) are canceled in the foreseeable future, so what are we to do?

First, I think it is important to continue shooting. It might sound difficult to achieve in this home-bound times, but it only requires a bit of creativity. Maybe, it’s time to learn a new photography skill. It could be choosing subjects at home that will improve skills. Everything we learn as photographers translates into better photographs. Now is a great time to try new things.

Second, I believe it helps to create assignments to complete. An example would be to shoot a photo a day, or select a word and try to accomplish it in a photograph.

Third, this is a great time for planning. I’ve been working on planning 6 to 12 months from now, making the plans flexible. I know that these plans help me with creating course content for my classes / workshops, designing new products to sell, and personal projects. Often times, these sessions reveal opportunities for books, articles, and blog entries.

One last thing. . .all of my classes will be taught online until further notice.

Choices, Exposure & Composition

by karenulvestad, posted in Instruction, light, Tips

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The experience included hundreds of sandhill cranes flying overhead, with some landing in the field below. Their sounds waft in the air, like a light trill. Unlike ducks and geese, the cranes seem to fly without formation, and their flight is affected by wind gusts.

At a distance, it becomes easy to place hundreds of these amazing birds into a single frame. The photo above is taken with a 600 mm lens. The challenge becomes “how are the birds placed in the frame?”

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One thing to remember is that these birds are not small. There size ranges from 3 to 5 feet tall (depending on sub-species and male/female), and their wing span ranges from 5 to 7 feet across.

The photo above is a grouping of 3 birds against the sky. Light is important in all photography, and especially important when photographing birds. The light in this image is late afternoon sun, and it casts a warm glow in these cranes. It is important to light up the head (or face) of the bird.

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In this photo, the light brings the cranes out from the blue background. Without the sunlight, the birds would blend into the background, and be more difficult to see. As for where to focus. it is good to select an area with a large concentration of birds. It is easier for the camera’s auto-focus to actually focus on the subject.

As for exposure, expose for the birds. The background isn’t as important as the cranes, and it’s okay for it to go light or dark. The shutter speed needs to be fast enough (1/250 sec or faster) to keep the cranes from blurring. At a distance, an aperture of F8 should offer enough depth of field to keep most of the birds is focus.

Tip – Use the available light. Set the shutter speed to stop the action, and the aperture to keep most of the flock in focus.

Karen
Visualize ~ Create ~ Evoke

The Best of 2017

by karenulvestad, posted in Best Of

These are my favorites I took in 2017. . .from the amazing Othello Sandhill Crane Festival to the Solar Eclipse on the Oregon Coast. Hope you enjoy. . .

 

Winter Light & Photography

by karenulvestad, posted in light

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The light through the winter changes in both color and intensity. The sun drops lower on the horizon, and travels through more of the Earth’s atmosphere. This changes the colors that we and our cameras see.

The photograph above is trumpeter swans in January at dusk. The light in the sky is soft and diffused. The swans reflect the color of the blue sky on their wings, and remain neutral colored on their underside.

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The colors change in the landscape. Everything appears more pastel, and with less contrast. Even the blue of the sky changes to a softer hue. The clouds add interest to the photograph, and are perfect to include into the composition.

The photograph above was taken during the winter months. The soft light of late day is diffused by the broken clouds in the sky, offering a soft light bathing the scene. The colors are rich, yet softer than the summer months.

copyright Karen Ulvestad

Winter can bring starkness of color with its snow, frost and/or over cast sky. It is a great time to explore monochromatic images. Enjoy the season!

Happy shooting. . .Karen

 

Sunsets and Vibrant Color

by karenulvestad, posted in Tips, Workshops

copyright Karen Ulvestad

Sunsets and color seem to go together. It’s hard to show the character of a sunset in black & white.

The sun isn’t always yellow. The Earth’s atmosphere affects the color of the sun, and the colors reflected in the sky.

The photo above was taken on the Oregon coast looking out over the Pacific Ocean. I love how the sun came out with 3 main colors, the sky was such an intense orange, and the small clouds in the top left side of the image.

Each sunset is unique in color, cloud formations, and the color of the sun.

copyright Karen Ulvestad

Then, there is the pastel colors that can be produced at sunset. I love the pastel pinks in the photo above, and the way the color reflects off of the ferry boat. Adding a subject to the frame adds to the composition and interest in the photograph.

copyright Karen Ulvestad

My favorite time to photograph a sunset is after the sun sets. Usually, most photographers and people leave after the sun dips below the horizon. I find that the color may intensify after the sun sets.

I love the dramatic colors, and the ability to capture the stars / moon. Again, I added a ferry boat in the image above. I like how the lights on the ferry help define the boat, while maintaining to color of the sky.

Tip. . .under-expose sunset photographs. . .

Happy Shooting. . .Karen

Excerpt from Summer Photography: Beaches & Sunsets. EdCC Extented Learning Program – July 12, 19, 26, 2017. 

The Oregon Coast in Black & White

by karenulvestad, posted in Workshops

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This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

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Visualize ~ Create ~ Evoke

Karen

Swans & Geese in the Skagit & Stilliguamish Deltas

by karenulvestad, posted in Bird Festivals, Instruction

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Light is everything in bird photography! The time of day will affect the number and types of birds seen in flying overhead or feeding in the farm fields. The photo above is taken at dusk, and the birds are Trumeter Swans. Both Trumpeter and Tundra swans migrate and winter in the Skagit and Stilliguamish deltas.

During the hunting season, fewer Snow Geese are in these areas, due to hunters in the farm fields. During this time, there usually are many flocks of swans in the area. The easiest way to tell the difference is the length of the neck and color. Swans have longer necks, and snow geese have black wing-tips.

copyright Karen Ulvestad

The birds in the photo above Snow Geese. These birds fly in flocks of a few individuals to several hundred. Later in the season (March – April), they gather by the thousands as they prepare for the long migation back to Wrangle Island in Russia. Annually, about 60,000 to 70,000 Snow Geese winter in the area.

Stanwood holds an annual festival celebrating the Snow Geese. It’s called the Port Susan Snow Goose Festival. This year, the dates are Febraury 25 and 26, 2017. I will be speaking on Sunday morning with a following field trip (optional). It is free!

I’ll leave you with one more photo. . .

Happy Shooting. . .Karen

“The Art of Photographing Birds” Feb 26, 2017 at 11 am – 12:30 pm, Registration Required