Rainy Day Photography

copyright Karen UlvestadWith outdoor photography, it is inevitable that we get caught in the rain.  I always enjoy those moments, because it adds a different “feeling” to my photographs.

The weather greatly influences the final photograph.  This one of the Great Blue Heron rookery was taken in March, during a rain shower.  The sun behind me created the rainbow behind the rookery.  Without the rain or the sun, this would have been a very different image.  It would have had a flat sky, with little color.

Rain can be damaging to camera equipment.  It is good to shelter the camera from the rain, though remember that most cameras are water-resistant.  All equipment should be dried off, if it gets rained on.  A chamois cloth works well, dries quickly and fits into a camera bag pocket.  Drying of the camera and lens keeps the it working well.

Also, it’s important to protect the camera and lens being used in the inclement weather.  There are several ways to do this.  If the camera is mounted on a tripod, an umbrella can be held over the equipment to protect it from the rain.  When carrying the camera, a shower cap can work as protection.  Currently, a clear plastic sleeve can be purchased at a camera store.  It fits over the camera and lens, and allows the photographer to slid their hands in the sides to operate the camera.

One of the most important pieces of equipment, in wet weather, is the camera bag.  It is important to have a bag that is water proof, or at least water-resistant.  Many bags, such as backpacks by Tamerc, have waterproof zippers, and fabric that covers the them.  They are built to be in wet weather, without compromising the camera equipment inside.  Also, these bags are well padded to protect equipment from damage.  Many other manufacture’s have good, protective camera bags too.

Happy shooting until next time. . .Karen

What’s in a Digital Darkroom?

Often times, I get asked if I “Photoshop” my photographs.  If it was a film image, it would be like asking me if I took my film to a photo lab, which I worked at one for a couple of years.  Our job as employees was to give the customer the best photograph possible from their film.  We would color correct the prints, before they left the lab.

In the digital age, there is a lot of concern about “manipulating” photographs.  In truth, all photographs are a manipulation of a scene through composition, and use of exposure.

So, what is a Digital Darkroom?

A Digital Darkroom is a software, such as Photoshop, Elements, or Aperture, where a photographer can color correct his/her photographs.  There are tools to remove dust spots, filters to enhance color and cropping tools.  What comes out at the end is the photograph the photographer wanted to take.

To answer the question. . .yes. . .I use Photoshop.  I gather the best possible data with my camera, then polish it into the photograph I saw through my lens.

Here is an example of what computer software can do. . .

copyright Karen UlvestadIn this photo, I used Photoshop to remove dust and correct color.

copyright Karen Ulvestad

In this photo, I started with Photoshop to remove dust and correct color.  Then, I used Topaz filters to reduce haze, and further enhance the color.

Happy shooting, and More Later. . .Karen

Sitka Center: Of the Land, Sea & Air: A Coastal Photographic Adventure

Black Oyster CatcherHere is the information on my upcoming workshop on the Oregon Coast.  It is on June 30th and July 1st.  It would be great to see you there, and feel free to pass this on to other interested people.

Thank, and have a great day. . .

Sitka Center: Of the Land, Sea & Air: A Coastal Photographic Adventure.

Photographing at Dusk

copyright Karen Ulvestad - All Rights Reserved.Dusk is the time of day when the sunset is most brilliant.  It is the time many animals and some birds come out to hunt and feed.  Modern digital cameras offer us choices in exposure and flash to make the most of these opportunities.

This photograph of a barred owl was taken around sunset under the tree canopy.  There was little light to work with, so the exposure for this image is ISO 2500, Shutter 1/80 and Aperture F5.6.  I was using my 100-400mm lens at 400mm.  This shot is not cropped, and is a full-frame sensor camera.  The original file is shot in RAW.

I could have used a fill-flash in this situation, which would have allowed me to shoot with a lower ISO.  It would have added light into the scene, and lit the owl.  When I mention fill-flash, I am talking about adding a little light.  Adding too much light in this situation would startle the owl, create shadows, and possibly over-expose parts of the scene.

On this photo, I did adjust the color and luminescent to reflect less noise, and desaturate the color to fit the time of day.

When photographing the sunset at dusk, the exposure is different.  Usually, there is open space before the sunset, and it has more light.copyright Karen Ulvestad - All Rights Reserved.

This photo of the mountains at dusk shows the dynamic colors in the sky, which is reflected into the water.  The hills and mountains become shades of blue-grey in the photo.  The birds feeding in the water and on the mud flats become silhouettes against the reflected colors.  The exposure on this image was ISO 100, Shutter 1/60 and Aperture F8.  I was using my 100-400mm lens again at 400mm.

On this photo, I adjusted color and contrast.

More Later. . .Karen

Using Light in Composition

copyright Karen Ulvestad
A storm over the Del Sal Mountains viewed from Arches NP in 1997.

Light. . .without light, there is not a photograph.  With light, there is a photograph.  Using light within you composition can create a breath taking photographic image.

Sometimes, it’s simply luck.  This photo was taken from Arches NP on one of the roads.  It was late afternoon, and the storm over the mountains with the rainbow added to the composition of the image.  It’s one of my all time favorite images, and the first time published.

Sometimes, it takes research, patience and timing.  I didn’t know that the storm was going to happen.  It was truly a serendipitous moment.  It’s also one that not everyone would see.  My travel companions on this trip didn’t want to stop, and one of them was a photographer.

I think it comes down to being aware of the surroundings, and seeing/predicting what will happen next.

More Later. . .Karen

It’s All About the Light

This photograph was taken during a winter storm.

The light makes or breaks a photograph, along with good composition.  You can have the greatest composition, but if the light is wrong the photograph doesn’t turn out well.

This photo was taken on a sunny spring day.

The top photo is taken during a winter storm.  The light or lack of light turns the color of the water to a gray, and the greens are muted.  Overall, the photo is dark, and lacks shadows.  This contributes to the lack of depth in the photograph.

The bottom photo is taken on a sunny spring day.  The sunlight brings out the color in the water, cliffs and vegetation.  The sunlight cast shadows, giving the photo a feeling of depth.
The light in the photos casts a mood for the image.
Time of day is another variable in photography, which will be the topic of the next entry.
Best to All & Happy Shooting. . .Karen