Creating a Photographic Story

copyright Karen Ulvestad

A photograph is the reflection of the photographer at the time the image is created. It reflects our mood, vision, and emotional state. The way the light is captured in the image, then post processed reveals the story hidden in the photograph. It is a visual communication between the photographer and their audience.

The image above was take this spring during the afternoon (during a short day escape during the Pandemic). The weather report called for rain, yet it hadn’t rained yet. The clouds were amazing and dynamic. The hillside viewpoint allowed me to include the Columbia River, Vantage, I-90, and the dynamic clouds. I brought more contrast into the post processing. I like how it look a ominous.

In the next image, I took a different approach. . .

copyright Karen Ulvestad

What attracted my attention in this image is the dynamic clouds, the lines of the hillside, and the wild horse monument. I return to this place at least once a year to experience the high desert changes. I love the changing sky. Often this area is a treasure trove of opportunities to explore line, shape, textures, and other compositional elements. It usually isn’t over-run with people, and the hike to the top is relatively easy.

The biggest piece in creating a photographic story is the photographer’s vision or ability to compose in the field. It is the culmination of an idea, and the cooperation of the weather/other elements in the environment. The subject or important element needs to fill the frame. The following photograph focuses on the amazing cloud formations.

copyright Karen Ulvestad

The clouds are far more interesting than the landscape, yet what sits on the horizon? This is looking west towards the Cascade Mountains, and the clouds have created a dark blue-gray background for the turbines in the distance. A small airplane sits in the sky against the background of the massive clouds. Both the turbines and airplane give some perspective on the size of these cloud formations.

Exposure for these images is important and contributes to the story. All three are shot with at F16 or F22. This is a large depth of field, and gives the viewer a visual reference to the fore-ground, mid-ground, and background. A larger depth of field gives an expansive feeling to the photographs, and contributes to the 3D feeling in the images. A shallower depth of field would give less visual information to the viewer, and feel more 2 dimensional.

Through all these social challenges we face today, may everyone stay well and continue to photograph the world around us.

Karen

Finding the Spirit of Place

copyright Karen UlvestadThis workshop is the culmination of creativity combined with photography. It is the art of exploring the environment or subject to express its true nature from the perspective of the photographer.

It is offered through the amazing art school Ghost Ranch in New Mexico. It is the former home of Georgia O’Keefe.

Here is the synopsis of the workshop. . .

Ready to take the next step in your photography? Learn to “see” the world around you through the camera’s eye, and create amazing photographic images. Simply put, photography is light. It’s important to see it and learn to control it through camera settings. In the digital age, photography is more dynamic in what can be captured in a picture. Our cameras are able to capture both low light and high light situations. To create a photograph, this is combined with our knowledge of our camera’s settings. Exposure and composition combine together to make the photograph a true representation of the photographer’s vision through management of light, color, and highlight/shadow. This class includes the formulas and techniques to create dynamic photographs, and the importance of equipment choices. Different lens focal lengths change the depth of field recorded by the camera. This is an important piece of creating a story-telling photographic image. Discussions include in-camera techniques and digital darkroom adjustments. The digital darkroom is basically the photo lab of the film days of photography. We will learn basic techniques, along with the best software and best hardware choices. This is where the photographer adjusts the photograph to match his/her visual representation of the scene/subject. It is as important as in-camera techniques to create the picture. Class includes time to practice these new concepts and techniques through practice and assignments. Questions are encouraged both in-class, and during practice times. Each class includes time for review / critique of students work. The feedback helps clarify the concepts of the class, and encourages creativity.

We will cover:
*Seeing Examples of concepts through visual presentation
*Learning how to “see” and “seeing” techniques
*Creativity is encouraged *Exposure & composition (basic to advanced depending on level of student)
*Equipment & how to select which pieces to use
*Learn visual story-telling and finding inner vision
*Planning and accomplishing the photographic concepts
*Color or Black & White? What works best with the photograph’s concept
*Experimenting with visual concepts
*Connecting with the subject or place
*In-camera techniques for better photographs
*Digital Darkroom techniques

Link for the class is on the Workshops page. . .

The Best of 2017

These are my favorites I took in 2017. . .from the amazing Othello Sandhill Crane Festival to the Solar Eclipse on the Oregon Coast. Hope you enjoy. . .

 

The Oregon Coast in Black & White

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This workshop is happening the first weekend in July (1st & 2nd) on the Oregon coast. There is some classroom time, then it’s off to photograph the amazing coastline and wildlife.

Workshop description –

Capture the dramatic and rugged Oregon coastline in classic and timeless black and white. Whether shooting film or digital, the coast beckons to the dynamics of black and white photography. Layers of clouds and headlands, frenzied ocean waves or tranquil sand beaches offer endless possibilities for composition, exposure, and amazing images. This workshop offers a short classroom orientation, photo critiques at the end, and plenty of time in the field. Dress for the weather and walking/hiking.

As I write this, there are only 4 spaces left. To learn more or register, click here.

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Visualize ~ Create ~ Evoke

Karen

Sandhill Cranes and More in Othello

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I spoke this past Saturday at the Othello Sandhill Crane Festival in Othello, WA. It was an amazing experience! The room was filled at 9 am for my presentation Celebrate Birds Through Photography.

This festival is incredible in both its size and number of speakers/tours. It is well worth the adventure to Eastern Washington for the event.

It was interesting to discover how easy it was to see the cranes flying, but nearly impossible to see them in the fields. The photograph above is of a field with over 50 cranes amoungst the cattle.

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Looking upwards, it was easier to see the cranes flying through in small groups. Thankfully, the sky was blue with white clouds. The cranes stood out against the background, and were easier to see.

The other amazing birds we saw were yellow head blackbirds. I actually thought they were blackbirds landing behind reflectors on the irrigation pipes. What a pleasant surprise when I discovered they were beautiful yellow and black birds.

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Happy Shooting. . .Karen

Visualize ~ Create ~ Evoke

Spring is Coming!

copyright Karen Ulvestad

Spring is coming! It is an amazing time along the Oregon coast, with thousands of seabirds coming to land to raise their young. I’m looking forward to visiting my favorite nesting colonies, and exploring new locations.

If you wish to join me, just leave a message. . .

Happy Shooting. . .Karen

Swans & Geese in the Skagit & Stilliguamish Deltas

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Light is everything in bird photography! The time of day will affect the number and types of birds seen in flying overhead or feeding in the farm fields. The photo above is taken at dusk, and the birds are Trumeter Swans. Both Trumpeter and Tundra swans migrate and winter in the Skagit and Stilliguamish deltas.

During the hunting season, fewer Snow Geese are in these areas, due to hunters in the farm fields. During this time, there usually are many flocks of swans in the area. The easiest way to tell the difference is the length of the neck and color. Swans have longer necks, and snow geese have black wing-tips.

copyright Karen Ulvestad

The birds in the photo above Snow Geese. These birds fly in flocks of a few individuals to several hundred. Later in the season (March – April), they gather by the thousands as they prepare for the long migation back to Wrangle Island in Russia. Annually, about 60,000 to 70,000 Snow Geese winter in the area.

Stanwood holds an annual festival celebrating the Snow Geese. It’s called the Port Susan Snow Goose Festival. This year, the dates are Febraury 25 and 26, 2017. I will be speaking on Sunday morning with a following field trip (optional). It is free!

I’ll leave you with one more photo. . .

Happy Shooting. . .Karen

“The Art of Photographing Birds” Feb 26, 2017 at 11 am – 12:30 pm, Registration Required

Architecture & Gardens. . .

copyright Karen Ulvestad

Architecture lends itself to both color and black & white photographic images. Often times, it becomes a composition of lines, shapes, and color / tone. The photograph above shows a modern building with the reflection of historic architecture. The old and the new sit across the street from each other.

This is the story of downtown Oakland. It is a city rich in contrasts and opposites.

copyright Karen Ulvestad

The historic Tribune building rises above other period buildings. In this incident, it is framed by a modern sculpture. The primary colors of red, yellow, and blue work together to make the brown & cream colored building stand out in the image.

copyright Karen Ulvestad

Another way to frame a building or architectural element is with living elements. In the photo above, I used blooming cherry trees to frame the Gothic architecture of the University of Washington. In this case, the cloudless blue sky is the perfect background for the pink flowers and brick buildings.

It is great to contrast man-made structures against or with nature.

Happy Shooting. . .Karen

“Architecture & Gardens Through the Viewfinder” ULearn (Edmonds CC), Apr 27 – May 18, 2017 (Thursday nights)

Black & White

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Black and white photography uses tonality, contrast, and composition to engage the viewer. It is the origins of photography, and the favorite of famous photographers such as Ansel Adams.

This type of photography takes a different “eye” than its color counter part. The tonality of black and white succumbs to the vibrance of color in color photography. Often, a photographer is good at one or the other, but not both. It requires 2 different ways of “seeing” the shot.

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The mood of the black and white image is more than its tones. The clarity of the image or softness add to the composition. The top photograph evokes a feeling of a storm, while the second is crisp and shows clarity. Each stands on its own composition, telling 2 different stories of the Oregon coast.

I’ll leave with 1 more image. . .

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Happy Shooting. . .

“The Oregon Coast in Black & White” July 1-2, 2017 at Sitka Center for Arts & Ecology

Digital Photography Basics Excerpt. . .

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“Ambient light is the naturally available light. Sources would be the sun, moon, or reflected light. Sunlight is the light source even on cloudy days or in the shade. Cloud cover offers soft, diffused light without harsh shadows or contrast. Ambient light can be dramatic like the previous photo, or soft like the photo to the left. Dramatic lighting often requires a wide range in tonal quality in the image. The previous photo was exposed for the light rays coming through the clouds.” ( for complete book excerpt  dpb-exp-comp-pg7 )