This blog talks about photography related topics such as exposure, locations, and other information.
I decided this year to give a big Thank You for an amazing 2016. I am so grateful for all the students that enrolled in my classes / workshops, all the likes on my photos and blog, and my clients.
Digital Photography Basics is my new eBook, and I just published it on Amazon. I am offering it for FREE through Friday, December 2nd.
Please feel free to download, share, or give as a gift.
Happy Shooting. . .Karen
I cannot teach this workshop often enough! This is the core of a successful photography. The idea is to “capture” the subject’s essence in the 2 dimensional image of a photograph. . .to “tell” a story about the subject.
With people, it is often a smile, tears, or other emotion / action within the photograph. This ideal can be brought to a landscape, wildlife image, or macro subject. Each photographer has their own unique view of the world, and the objective is to share this with the viewer.
Accomplishing this vision includes camera knowledge, composition, “seeing”, and weaving all this into the photographic image.
I love this workshop the most, because we explore all these aspects of photography in the classroom, and strive to combine them in the field. The focus is on techniques, vision, and composition.
I look forward to meeting all the individuals that join this journey to photographic perfection.
Happy Shooting. . .Karen
Sunsets and Photo Walks seem to go together. It is a great way to learn exposure, while photographing a sunset. Exposure affects the colors in the sunset, whether or not a foreground object becomes a silhouette, or simply how to prevent the flash from going off. It’s helpful to have a knowledgeable photography instructor to help hone these skills.
The Edmonds waterfront is a great place to see the sunset, and experience a photo walk. There is a great abundance of subjects to photograph, including the ferry boats, sail boats, gulls, bald eagles, harbor seals, and more.
I would love to see you at my next photo walk on August 25th, 2016. Sign up is through the City of Edmonds at http://www.reczone.org.
Life is Good!
Karen
So, I’ve been missing in action the past few months, and neglected my blog!
I’m back. . .at least until my next adventure that leads me away from the computer screen and the Internet.
I’ve been pursuing the Light. Without light, there cannot be a photograph. Light is a challenging subject, because our eyes see it one way, and our camera sees it in a different way. Our eyes can see the details in the brights (highlights) and darks (shadows) on the brightest sunny day. Our camera cannot.
Technically, this means the difference between shadow and highlight is greater than 2-stops of light. So, what does a photographer do?
One to compensate for this difference in lighting is to use the HDR setting in the camera, or a software program on the computer. The HDR setting on the camera will take 3 exposures (1 for the shadows, 1 for the highlights, and one for the mid-tones), and combine the 3 into one photograph. Computer programs work with highlight, shadow, and mid-tone settings within the photograph to accomplish a similar effect.
Life is Good!
Karen
Thought I would share my latest venture. June is the time to teach on the Oregon coast at the Sitka Center for Arts & Ecology. Hope you enjoy & please share. . .Life is Good!
Happy shooting. . .Karen
The Spirit of Place is one of my ideas or personal concepts about photography. At its core is the idea that photographs are created by the photographer through use of light, exposure, and composition. It is our personal view-point or way we translate the scene in a visual way.
This photo uses shadow and light, lines, and people to create the composition of the place. In this image, the viewer sees the blowing sand (top of dune), the rocky wall in the foreground, and the people making their way up the sand dune. It speaks of man and nature co-existing in the late afternoon light.
Nature is one constant in our lives that is ever-changing, yet remains the same. The challenge for the photographer is to take existing elements, and create a pleasing photographic image. Photography is a tool to document the world around us, yet our personal view-point is always present in our images.
The blowing sand in this photograph creates designs on the sand that mimic the wet sand reflecting the blue sky and the ocean waves. In this image, one could see the hillsides in the background as repeating the wavy shape created by the sand and ocean. The scene is completed by all the people enjoying the beach, whether walking along the water or sitting in the sand. By including people, I have given a reference to the size of the landscape.
Another way to look at this scene is to eliminate or hide the man-made or man’s influence upon the scene. By moving the point-of-view, this image the viewer sees the ocean waves and four gulls. Yes, there is some indications of civilization, but they are not the main components of the composition.
Now to end this entry, I’ve added a little different concept. This image is titled Windy. It leaves the question, how do we as photographers show wind or other elements in our images? What is that special ingredient that we have included to make our photograph stand-out from the millions of images on the internet?
Stay tuned for more. . .or simply join me for my Spirit of Place workshop on the Oregon coast in June.
Happy shooting. . .Karen
I seldom get the opportunity to stay in the city, and photograph all the different types of light. Composing in the city is similar to Landscape photography, but the lines are more linear and defined. I find that it give me a different perspective to take back to the natural world I love to document.
The shot above is an example of “outside” the box composing. This long exposure was taken through the hotel window at F22. The yellow cast to the image is the temperature of the street lights. The “spotting” effect is the dirt on the outside of the window. All this together creates a “grunge” feeling for the photo.
Photographing the city at night, illustrates the different temperatures of light. The colors that look “true” are most likely daylight balanced fluorescent or LED. The yellow is tungsten or incandescent. The green cast is most likely regular fluorescent.
Daylight brings another look to the buildings. I love the reflections in the modern glass buildings, mixed with the historical brick buildings. The strong use of diagonal line in the above photo guides the viewer’s eye through the picture. Diagonal lines add a feeling of motion to a static image. The reflection in the glass is the buildings across the street light by direct sunlight. I used a polarizing filter to enhance the blues, and was careful not to eliminate the reflection in the glass.
Cities are filled with contradicting images and ideas. The above image is bullet damage to a 1/2 inch glass window. I like the story it tells of prosperity (see inside the building) and the reflection of the historical buildings across the street. This building was a corporate headquarters, and is was situated in an area of diverse stories of prosperity and decline. The lines in this image are the arrangement of the bullet damage which are taped, and the diagonal lines of the buildings in the reflection.
The image below is a combination of a sculpture and the Tribune tower. I intentionally framed the tower with the brightly colored sculpture, and used a large depth of field to bring out sharpness in the foreground, mid-ground, and background.
Happy shooting. . .Karen
This is my latest article on Fall Getaways. These are all great areas for fall color, and many opportunities for photographs.
“There are many places within a two-hour drive of Seattle that show intense color in the falls. The best viewing time for color varies from year to year, but usually falls between mid-September to the end of November. The higher elevations change first, and the lower elevations linger into November on a dry year. The brilliant yellows, oranges and reds of the deciduous trees stand out against the deep green of the evergreens.”
For the complete article, click here.
“Excellent instructor – willing to help and make accommodations for all. . .” Student comment. . .
The Spirit of Place workshop I taught at the Sitka Center for Arts & Ecology went great! The students were a fantastic group of diverse individuals with a desire to learn more about photography. We ventured out on our second day to Cape Kawanda (Pacific City), and Neskowin. We practiced the workshop skills photographing the expansive landscape, dories, tide pools, gray whales, and birds. Below is an image of one of the students photographing the dories, as they came into the beach.
Below is one of my photographs taken of the dories from the beach. The tide was out, and we were able to walk through the tide pool area near the cape. The dories require a fast shutter speed to capture the action with clarity. My students had the opportunity to shoot these experiences, while learning the finer points of exposure and composition. My workshops are balanced between learning in the classroom, practicing in the field, and exploring the possibilities of the photographic medium.
While exploring the area after teaching the workshop all day, I came across this mule deer buck and a doe. The light was waning since it was later in the evening. The morning had started out with a bald eagle flying by, and the day ended with deer. Sitka is a fantastic place to take workshops with top-notch instructors, and they offer a variety of art classes through-out the summer months. I’ve been blessed to have been teaching workshops through this school for 3 years.
Happy Shooting. . .Karen
Photographs come in many different styles, such as landscape, wildlife, people, and commercial. There are many more that are not listed here. What separates a photograph from others is the clarity of the story it tells. What does the photographer share with the audience that isn’t shared in other images.
The photograph below is a shot of Proposal Rock on the Oregon coast. This area is photographed often by locals and visitors. So the challenge becomes, how does a photographer make his/her photograph different from every other photograph of this beach and rock? In this case, the difference is a pair of shoes with bright colored laces.
This second photograph utilizes people in a landscape photograph. The viewer first sees the child holding the lens, the railing behind the child, and finally the landscape in the background. This shot is from Waimea Canyon on the island of Kauaii (Hawaiian Islands). The depth of field in this shot give value to its elements. . .the child, the railing, and the canyon. The clouds in the sky add further texture to the image.
It seems fitting to end with this photograph of a Bald Eagle at sunset. The sunset becomes the sun, color of the sky, and the silhouetted eagle. This is a single shot in the camera, which means it was thought through before the photograph was taken. Planning can help create a one-of-a-kind photographic image.
This is an excerpt from my upcoming workshop The Spirit of Place at the Sitka Center for Arts and Ecology in June.
More next time. . .Happy Shooting. . .Karen