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Photography is Painting with Light

August 7, 2014 by karenulvestad, posted in Instruction, Tips

Light is everything when it comes to photography. These three photographs were taken on the same evening. To the east towards the coastal mountain range, the weather was thunder and lightning. Along the coast, the clouds created a dramatic sky for the coming sunset.

The top photo shows the warmth of the late day light in the yellow tone to the green grass on the sand dunes. The dramatic clouds were either dark grey or white, and contrasted against the brilliant blue sky.

The photograph below is a simple composition of the sky and clouds. One of the tools used for the blue sky is a polarizing filter. For digital cameras, the filter must be a circular polarizing filter.

The white balance on these images is daylight, or simply use the AUTO setting. Minor adjustments can be made in the Digital Darkroom on the computer.

The bottom photograph is the sun peeking through the dramatic clouds. The sun starred because of the large aperture setting on the camera. Each of these photos was shot on the manual setting for maximum control over the final image.

Remember, using manual settings for exposure give total control over the final photograph. I am available for private consultations, lessons, and individual/group instruction (both in person and online).

Happy Shooting. . .Karen

Sitka Workshop Went Great

July 8, 2014July 8, 2014 by karenulvestad, posted in Location, Workshops

“Excellent instructor – willing to help and make accommodations for all. . .” Student comment. . .

The Spirit of Place workshop I taught at the Sitka Center for Arts & Ecology went great! The students were a fantastic group of diverse individuals with a desire to learn more about photography. We ventured out on our second day to Cape Kawanda (Pacific City), and Neskowin. We practiced the workshop skills photographing the expansive landscape, dories, tide pools, gray whales, and birds. Below is an image of one of the students photographing the dories, as they came into the beach.

Below is one of my photographs taken of the dories from the beach. The tide was out, and we were able to walk through the tide pool area near the cape. The dories require a fast shutter speed to capture the action with clarity. My students had the opportunity to shoot these experiences, while learning the finer points of exposure and composition. My workshops are balanced between learning in the classroom, practicing in the field, and exploring the possibilities of the photographic medium.

While exploring the area after teaching the workshop all day, I came across this mule deer buck and a doe. The light was waning since it was later in the evening. The morning had started out with a bald eagle flying by, and the day ended with deer. Sitka is a fantastic place to take workshops with top-notch instructors, and they offer a variety of art classes through-out the summer months. I’ve been blessed to have been teaching workshops through this school for 3 years.

Happy Shooting. . .Karen

The Best of 2013

December 28, 2013 by karenulvestad, posted in Best Of

It was a year of change, and it reflected in my photographic images. This first image is about community. I was experimenting with a new 2x tele-converter with my 100-400 mm lens, and this was the result. On a drifting log resting are harbor seals, cormorants, gulls, and sandpipers.

This next image is Oregon in hoarfrost with a redtail hawk at the top of the tree. I love the monochromatic of this image, and the color of the hawk.

Experimenting became one of the tools I used this past year. I love the peaceful feeling of this sunset, through the many layers of colors. This was done in the camera, then worked in the digital darkroom.

Next is the super moon of 2013. We missed most of the meteor showers and eclipses due to clouds. So, this was a fantastic opportunity.

Next is the power of a spring storm on the Oregon coast. The monochromatic nature of this image lends itself to the rain that is coming in off the Pacific Ocean. The bird is a cormorant, and the boat is a Coast Guard cutter.

I finish off with a pair of Peregrine Falcons. The female is on the cliff, and the male is flying in after she called him. It was a great event to photograph and experience.

For my annual video clip of my 2013 best, visit here.

Happy Shooting. . .Karen

Finding Photographic Vision

October 23, 2013 by karenulvestad, posted in Instruction

It’s been an exploratory year for my photographic vision. I started shooting photography focused on sports, events, and people. There was always a landscape to photograph or an animal, so I followed my camera’s viewfinder. I filled it with images, and learned everything about my equipment. Photography is a continual learning adventure.

The last couple years have been filled with searching. At the beginning of this year, we lost 3 family members. Two were ill for a long time, and the other was a surprise. All my focus and energy had been spent on creating positive memories for my son with his grandfather. I have no regrets for the energy expended in this adventure. . .just gratitude for all the incredible time.

So finding photographic vision. . .

I choose to control every aspect of a photograph that is within my power to control. The camera is merely a tool to convey the scene, animal, bird, story, people, etc. in the manner the photographer sees it. The photographer is the artist, who shows the world their vision. The photograph below is a single image created in the camera. Since I shoot RAW files, I worked on it in Photoshop to create an image file to share with others or print. Equipment plays a part in an image like this. It is important to use a tripod to keep the camera and lens stable.

Much of this year, I’ve explored light, and refining my techniques for using it in my images. Above is soft, colorful, and flowing in composition. I experimented with exposure, white balance, and techniques.

Below is one of my favorite subjects. . .Snow Geese. This was taken on one of those perfect days in the field. The sky was sunny with billowing cloud formations. I think we ended up with most of the migratory birds (60,000 to 70,000) in the field in front of us. It was amazing to watch them fly in. It seemed like it would never stop. Then when it felt calm again, a Bald Eagle flew over head, and thousands of geese took to the air at one time. Their sound was amazing! I was about 25 feet from the edge of the flock. . .simply amazing!

Happy Shooting. . .Karen

Great Photography Weekend Destinations

August 31, 2013 by karenulvestad, posted in Location

copyright Karen Ulvestad — Leavenworth, WA

Leavenworth is a wonderful day or weekend adventure for all ages. The town schedules year-round festivals, and is located in the scenic eastern foothills of the Cascade Mountains. Highway 2 travels through the town, and is the easiest way to reach this beautiful destination.

On the way to Leavenworth, Stevens Pass is a beautiful area for photography. On the west side, there is Deception Falls, and it is well worth the stop. The trails lead to the falls (which can be seen on the south side of the highway), and along the river. Stevens Pass ski resort is at the top of the pass, and is a wonderful alpine area in the summer months. On the east side of the pass, Lake Wenatchee is about 5 +/- miles to the north, and the view looks into the Cascade Mountains. Highway 2 traverses through Tumwater Canyon, which has several pull-outs for safe observation of the scenery and wildlife.

In the opposite direction, the Olympic Peninsula offers incredible opportunities of photography. This area is home to a large temperate rainforest, Olympic National Park, beautiful waterfalls, Lake Crescent, and the Pacific Ocean. There are many hiking trails through-out the area, including the North-South trail through the heart of the Olympic National Park. Highway 101 travels through the area, and signs show the directions to the scenic areas.

Lake Crescent sits just west of Port Angeles, and has both a campground and cabins/lodge on its shores. It is part of the Olympic National Park, and the highway follows the shoreline of the lake. It’s nestled between tall foothills, and surrounded by forest. There are many pull-outs along the lake to view the area, or hike a trail. The light is incredible during the early or late hours of the day, and it is not uncommon to have overcast/foggy conditions in the area.

Further on, Highway 101 travels through the town of Forks, and onto the Pacific Ocean Beaches. There are several beach back-packing trails in this area, and Third Beach is one of the longest. It is a great way to see parts of the coastline that most people don’t see. There is a lot of wildlife in the area, and incredible landscape photography opportunities.

For more information, visit http://seatt le.cbslocal.com/top-lists/best-weekend-getaways-in-the-seattle-area/.

Making Artistic Choices. . .

July 2, 2013July 2, 2013 by karenulvestad, posted in Instruction, Tips, Workshops

Photography is the art of taking light waves, controlling their intensity, and creating a visual image. Though this process, there are several decisions or choices make regarding exposure, composition, and subject. During my workshop at Sitka, we spent one day hiking through the forest. I usually spend my time working with students individually, and pointing out areas of interest. I teach by both talking and showing examples.

The image below is from this workshop. We were looking for forest birds, and learning about habitat. Then, we came upon this tree, and the wonderful photographic opportunity. I pointed out the tree with all the fungus growing on its right side. It was a great subject to test out depth-of-field (aperture) and composition.

The entire area covered by fungus was large. It was at least 5 feet in height, and covered the back side of the tree. The trail allowed us to walk near and partially around the tree. The image below is a portion of the whole, and the depth-of-field keeps the fungus in focus, and part of the moss. The background in a series of white circular shapes and dark greens. The white is the over-cast sky, and the green is the forest.

This was shot with my 100-400 mm lens at 200 mm. I selected a section of the fungus that showed the top and bottom textures.

In the image below, I cropped tighter by shooting at 400 mm. I changed the background to the forest, which turn various shades of green. The closer crop allows the details of the subject to show in the frame. . .textures, water drops, and spider webs. I left a small section of the tree to anchor the subject in the frame.

In both this image and the one above, I left space at the bottom of the frame, so the bottom fungus are complete. This gives the eye a completeness of the subject, and avoids looking incomplete. More next time. . .

Happy Shooting. . .Karen

My next workshop is July 27 & 28, 2013 at the Pacific Northwest Art School.

The Human Side of Photography

May 19, 2013 by karenulvestad, posted in Instruction, Tips, Workshops

As I am preparing for my workshop in Oregon next week (May 28-29), I am reminded about all the knowledge that goes into creating a beautiful bird and wildlife images. The camera is a view into how we “feel” at the time of taking the pictures. How are we “seeing” at the time of the shoot. These are the human element of photography. It affects our choices of composition, exposure, focus, and use of light.

This first photo was partially visualized before I took the image. I saw this flock of Dowitchers from across the pond, and had to go back to a better view-point to photograph them. I walked quickly back, and on the way thought about how I wanted to shoot the images. The lighting was back-lighting, which meant I would either have silhouettes (birds) or major hot-spots.

Right after getting to the other-side of the pond, a hawk took to the air, and the flock took flight. They circled the pond, and this is their landing. I like the reflections in the water, and the back-light feathers on the wings and tails. I did crop from the top of the image, to bring the focus to the birds.

Each photograph we take has a story to tell. The last two images were not cropped, and show two different stories. The hawk just took flight from a tree top, and this was taken in-between the branches. Thankfully, it was late fall, and the leaves had already fallen. The focus of this image is the eye of the raptor, and the focus plain includes the head, body, feet, and tail. The blur in the wings shows motion. I had studied the hawk for a few minutes before he took flight, and this familiarity allowed me to see the openings for a good photograph.

This last image was taken on the Oregon coast. It was a beautiful sunny day, then the fog came rolling in. These Brown Pelicans found a resting place on one of the sea stacks. This image shows them preening and resting, before going out hunting later in the day. The clouds/fog brought a soft light onto the subject, and allowed the colors in the rocks to show.

Happy Shooting. . .Karen

Where to Find Migratory Birds

May 3, 2013 by karenulvestad, posted in Location

Bird migrations happen twice per year. In the spring, the birds are heading to their nesting grounds. Many of these areas are in the Arctic or inland from the coast. Along the shoreline, these birds are feasting on the spring bounty of food, to make the long flight to their nesting grounds. These birds can travel several thousand miles each spring and fall. For the full article, visit http://www.examiner.com/article/where-to-find-migratory-birds?cid=db_articles

Of the Land, Sea & Air – A Coastal Photographic Adventure

March 25, 2013 by karenulvestad, posted in Instruction, Location, Workshops

“It was perfect for all levels. It was a great combination of technique and artistry.” Susan H.

We will have minus tides during this workshop, which will allow students to view and photograph tide pools, walk closer to bird nesting areas and marine mammal resting areas. It’s a great opportunity to learn the details of bird and marine mammal photography, and shoot at beautiful locations. The coastal waters are filled with harbor seals, gray whales, and sea birds during the late spring season.

The workshop starts in the classroom, with an interactive presentation about exposure, techniques and equipment. Then, students go out into the field and practice what was learned in the classroom, ask questions and learn how to spot wildlife. Composition is discussed through-out the workshop, both in the classroom and in the field. The workshop is about 30% in the classroom and 70% shooting in the field with instruction.

This last photograph is the students photographing harbor seals in the surf. Most of the subjects can be photographed with a 400mm lens or shorter. It is recommended that students bring a tripod. For more information or to sign-up, visit Sitka Center.

A Great Blue Heron Story. . .

March 3, 2013 by karenulvestad, posted in Location, Tips

Great Blue Heron are a bird that survives in urban and wilderness areas. They eat frogs, small rodents, fish, crabs, and more. They nest in colonies or rookeries that can be home to a hundred or more birds. These herons are majestic in their demeanor, territorial while hunting, and tolerant during nesting.

The photo below is taken at an urban area rookery that sits near Lake Washington in Kenmore. The photo below shows the entire rookery. Currently, there are about 50 +/- nests in the trees, and 100+/- Great Blue Herons. It’s quite a sight, though challenging to photograph. The wetlands are fenced off, so photography happens from the park-n-ride parking lot, or along the back entrance.

The photo below shows the nesting pairs and their nests. Often, there are single birds vying for the attentions of another bird, or pairs looking for a nesting site. I counted about 28-30 nests in this tree alone. Surprisingly, the colony is relatively quiet. These photos were taken at mid-day, and fortunately, there were interesting clouds in the sky for the background. I’ve photographed this rookery before, I had the fortune of stormy weather and a rainbow.

Tip: Aperture is important while shooting a Rookery. Most of these images were shot with f5.6-f8.

This next image is of a nesting pair building their nest. He is bringing sticks, and she is placing them into the nest. I watched him bring one stick at a time, watch her place it in the nest, and he would preen her feathers during the process. It’s a difficult area to photograph the herons flying into their nesting sites, so scouting the location and planning is a good idea.

Tip: Over-expose the photos, so the details of the birds show in the photographs. Otherwise, the birds will silhouette against the sky.

So, I’ll leave with one last photo. This is a closer view of several nests and herons in the rookery. The Bald Eagles will hunt for un-attended chicks later in the year.

Happy Shooting. . .Karen

Tag: light

Photography is Painting with Light

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Sitka Workshop Went Great

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The Best of 2013

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Finding Photographic Vision

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Great Photography Weekend Destinations

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Making Artistic Choices. . .

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The Human Side of Photography

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Where to Find Migratory Birds

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Of the Land, Sea & Air – A Coastal Photographic Adventure

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A Great Blue Heron Story. . .

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